But first... My Top Five Gigs Of The Year.
5. The Airborne Toxic Event
4. Art Brut
3. Luke Haines
2. Morrissey
1. Blur
I guess this is the year the music press and I finally parted company. I flicked through both Mojo and Uncut's Best of 2009 countdowns and found them depressingly similar. Both had Merriweather Post Pavillion by Animal Collective at Number One, both found room for Bruce in the latter reaches of their Top 50, neither had anything to say about Morrissey or Jarvis. I tried to look at Q's list but they had a picture of Bono, Noel Gallagher and Paul McCartney on the cover (again) under the headline 'Artists Of The Century'. It was a gatefold cover. I flipped it open to discover some of their other Greatest Albums of the 21st Century included Coldplay, Gary Lightbody and Mark Ronson. There'll be blood on the WHSmith shelves tonight.
So the music press has become irrelevant to me. Or my tastes have become old and entrenched and predictable. Or both. I sort through my favourite albums of the year and only four of them are debuts. Fourteen are by artists I already own more than five CDs by. So this is a list that will hold few surprises to anyone who knows me... but on the other hand it's also been a year in which the majority of my favourite artists have put out new albums. I'm well aware that there are all manner of decent records out there that I just haven't got around to hearing yet. Records I might well fall in love with. Who knows, Merriweather Post Pavillion may even be one of them. The fact that the critics all adore it discourages me, but that's just my simple-minded prejudice.
I dunno. Maybe I'm getting complacent. Maybe I'm less likely to search out new records anymore. I don't think that's entirely true, I've discovered some interesting new artists over the last twelve months. Some (Reader's Wives, The Melting Ice Caps, Peter Parker) haven't actually released an album this year. Others (Napoleon, Jersey Budd) have, but one or two great tracks doesn't a classic make. There are only so many listening hours in the day and (rightly or wrongly) I'm always going to give priority to the old faithful. If that makes me a fogey, so be it.
Anyway, here's the list...
20. Idlewild - Post Electric Blues
"We've gone post-electric," sings Roddy Woomble on the title track, "I've written down the concept." Who would have thought that on their sixth album, Idlewild would rediscover melody and harmony? Quite, quite lovely in places.
19. The Handsome Family - Honey Moon
The previous Handsome Family album, Last Days Of Wonder, was in my Top 3 of 2006, so by contrast this was something of a disappointment. Rennie Sparks turns her considerable songwriting... hell, writing abilities away from short stories and vignettes, concentrating instead on descriptions of place, mood and atmosphere. Songs titled The Loneliness Of Magnets will always draw my attention though. I'm still waiting for that novel, Rennie.
18. Manic Street Preachers - Journal For Plague Lovers
Larissa over at Condemned To Rock n Roll is the world's biggest Manics fan, so its no surprise that this is her record of the year. I almost feel I'm betraying her by placing it so low on my own list, but I was never a fan of The Holy Bible (I know, I know, it's heresy!) so THB:Redux was never going to thrill me as much as it would a true Manics Maniac.
17. Florence & The Machine - Lungs
Is she a 21st Century Kate Bush or just another Bjork For Lashes wannabe? Time will tell. There are moments here that suggest legendary status awaits her... and then there's that dreadful Candi Staton cover that makes me stop the CD at track 12 every time I play it. Still, Kiss With A Fist remains the best song about abusive relationships since Luka, so we'll always have that.
16. Green Day - 21st Century Breakdown
Hanan over at Music Induced Euphoria, another music blogger whose opinion I respect greatly, says Green Day haven't made a good album since Dookie. Or was it Nimrod? Yes, their recent albums have been overlong, with too many po-faced political rants that verge on the U2 (though they're still far more listenable), but I dunno... they just make me smile. The cartoon punks who grew up.
15. Jarvis Cocker - Further Complications
I love Jarv so much, I don't believe it's possible for him to make a bad record. I still can't make up my mind about Further Complications though. The rockier sound worked well live, yet despite Steve Albini's production, on record it doesn't have quite the same impact. There's nothing here as coruscatingly epoch-defining as Running The World or Common People... but he's still got whatever 'it' is.
14. Richard Hawley - Truelove's Gutter
And so the Sheffield Sinatra records his very own In The Wee Small Hours, a record to listen to at 3am with a broken heart and a bottle of whiskey. Timeless. Any Major Dude With Half A Heart's album of the year.
13. Shirley Lee - Shirley Lee
Spearmint frontman Shirley Lee records his most personal album to date, with the whole band in support. I can't think of any other record that makes me cry like The Reservoir does. It's like Field Of Dreams in song. Just beautiful.
12. Thea Gilmore - Strange Communion
A Christmas album? Really? I've already tried to explain why Strange Communion is far more than a Christmas album, but the proof lies in puddings like this...
11. God Help The Girl - God Help The Girl
Imagine watching Dusty Springfield, Petula Clarke and Sandy Shaw in a musical written by Belle & Sebastian's Stuart Murdoch, performed in a Glasgow church. Now press 'play'.
10. Eels - Hombre Lobo
More 'keep going' anthems from the king of diamonds in despair, Mark 'E' Everett. If it ain't broke, why fix it?Well when you're down
And all alone
There's always somewhere you can go
Here I am, a true friend
There's nothing gonna change over here on my end
Don't be scared, It's better shared
You know I always cared
I'm an every-thing's-all-righter
I'm a prizefighter
9. Mumford & Sons - Sigh No More
Who'd have thought that one of the coolest new bands of 2009 would be straw-chewing folk-revivalists? Over at Love Shack, Baby , my old pal Tarty Tart included this among her faves of the year... and then a debate kick off about whether the album features just too many damned creSCENDOS!!! Possibly. But I do like a good creSCENDO!!!!
8. Arctic Monkeys - Humbug
JC, The Vinyl Villain, found the third Monkeys album to be something of a let down, and others agreed. Roping in Queens Of The Stone Age for production duties proved a surprising sonic departure, but lyrically I found this record far more interesting than their previous one, My Favourite Worst Nightmare. Still not a patch on their debut, but what is?
Alex Turner really needs a haircut though.
7. Morissey - Years Of Refusal
Poor old Morrissey, he's not had a very good year. Collapsing on stage, getting bottled off, appearing With Adrian Chiles on The One Show... he must be in a right old mood about now. Still, that's good news for us, since a moody Morrissey is more likely to come back with a great album as revenge. The worst that can be said about Years Of Refusal is that I can't ever imagine it being anyone's favourite. One Day Goodbye Will Be Farewell... but not just yet, eh Moz?
6. Art Brut - Art Brut Vs. Satan
In which Eddie Argos and co. continue to plough their way towards the top of the charts, battling the woefully indifferent record buying along the way. Eddie's back in January with the debut record from his other band, Everybody Was In The French Resistance... Now. Can't wait.
I read a rumour in a tabloid paper
You said something interesting, denied it later
There was no evidence, they couldn't make it stick
It's on Youtube now and then
But comes down pretty quick
So we stayed up and we argued all night
If we can't change the world
Let's at least get the charts right
The record buying public shouldn't be voting
The record buying public shouldn't be voting
How can you sleep at night
when nobody likes the music we like?
How am I supposed to sleep at night
when no one likes the music we write?
Record buying public - we hate them
This is Art Brut vs. Satan
Don't worry, we can take 'em!
5. Bruce Springsteen - Working On A Dream
Magic was my favourite album of 2007, and while Working On A Dream couldn't quite live up to that, it's hardly treading water. Opening with the 8 minute epic of Outlaw Pete, it goes on to play the pop card more blatantly than he has since Born In The USA. Some dismissed Queen Of The Supermarket and Surprise, Surprise as throwaway sunshine, but I found them to be real smilers. Then there's the heartbreaking double-whammy that closes the album - Danny Federici tribute The Last Carnival and the theme to Mickey Rourke's The Wrestler, which may well be the best song Bruce has written this decade. Not bad for an old guy.
4. Flight Of The Conchords - I Told You I Was Freaky
As I mentioned previously, my first impression of the second series of Conchords was that the songs weren't as strong. I seriously doubted whether the subsequent album would impress me as much as their debut... but it turns out I might even love it more. A good sign of how much I like a record is when I'm trying to think which track to include as a sample... and I'm torn between so many great options. Do I go with Roxanne parody You Don't Have To Be A Prostitute... the wonderful Rambling Through The Avenues Of Time which steals the melody from Billy Joel's Piano Man and the cod-bohemian attitude of Peter Sarstedt's Where Do You Go To My Lovely?...
She looked like a Parisian river...
(What, dirty?)
She reminded me of a winter's morning...
(Oh, frigid?)
She was comparable to Cleopatra...
(Quite old?)
She was like Shakespeare's Juliet...
(What, thirteen?)
Then there's Too Many Dicks On The Dancefloor (which if I didn't know better, I'd swear features Denis Franz in the video), My Humps parody Sugalumps, and the incomparable Carol Brown (directed by Michel Gondry).
In the end, I went with We're Both In Love With A Sexy Lady, which turns out to be a pisstake of a track by R Kelly and Usher that I'd never heard, but now find myself strangely drawn to.
There's some question as to whether the Conchords will return for a third series and album, but damn I'll miss them if they didn't.
3. The Airborne Toxic Event - The Airborne Toxic Event
I haven't seen TATE's debut album on any other Best Of 2009 list - was it originally released in '08, or am I the only one who appreciates the wonder of their Springsteen-meets-The-Smiths sound? Ah, who cares as long as they keep making records as good as this one.
2. Luke Haines - 21st Century Man / Achtung Mother
Some artists just get better with age. The Auteurs were a fine band, Black Box Recorder were lots of fun (and I keep hoping for a proper reunion), but Haines's solo output now puts both in the shade. The author of my favourite book of the year almost scored the year's best record too - that's some going for someone who was "all over in the 90s". Best heard with the limited edition bonus disc Achtung Mother which features a chilling spoken word tale of egos on the loose in the artworld, this could very well be Haines's masterpiece.
1. The Scaremongers - Born In A Barn
I've been chelping on about local poet extraordinaire Simon Armitage's mid-life crisis band The Scaremongers for a couple of years now, so it was great to finally get a full album from them - and see them live in Hebden Bridge. Somehow this record stayed with me more than any other this year. It told me stories, it made me smile, it had me singing along... it even made me want to form a band when I hit forty. Anyone up for it? You've got just over two years to practise...
Right then, that's 2009 done with. I promise, no more lists until at least 2010. Happy New Year, everyone. I'll see you again when the dust settles.


























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