Thursday, 30 September 2010

Mozipedia


Simon Goddard's Mozipedia takes obsession too far. It's everything you ever wanted to know about Morrissey... and quite a bit you probably never wanted to know, unless you're a stalker. This massive 500 page breeze-block of a book traces the sources of every lyric, every drummer, every acquaintance... yet throughout all this, the author can't decide whether he wants to stick to just the facts or offer a critical assessment, indulge in hearsay and gossip or tow the official Morrissey line.

Often fascinating, the track by track entries are vital, but many of the others blur the line between curiosity and trainspottery. Want to know more about every actor, poet, playwright, musician, philospher and street-sweeper Morrissey has ever expressed even a passing interest in? Then this is the book for you. But even if you're only reading a couple of entries a night (as I did), you may find such scrupulous attention to detail combined with dogmatic hero worship gets a little tiring after a while.

Goddard's Morrissey fixation also blinds him to the merits of other artists (unless they're artists Moz adores - the entry on Moz's precious New York Dolls falls over itself to keep the great man happy), and he's often two-faced in his critical appraisal. For example, in an entry on Lloyd Cole, Goddard writes...

"When it came to cultural references, Cole was notoriously heavy handed, peppering his lyrics with the names of Simone de Beavoir, Grace Kelly and Norman Mailer. Although Morrissey has borrowed from literary and cinematic sources, never has he sung anything as crudely referential as "she looks like Eve Marie Saint in On The Waterfront".

Later though, in the entry on Pier Paolo Pasolini...

"Italian neo-realist film director referenced in You Have Killed Me along with his debut feature film ACCATONE."

So it's OK for Moz to namedrop obscure Italian filmmakers in his lyrics, but not for Lloyd Cole to romanticise a woman by comparing her to one of Hitchcock's favourite actresses? Now I'm a big fan of both Morrissey and Cole, so I like to think I'm unbiased... but really, which is the better song, the better lyric? Rattlesnakes or You Have Killed Me? Come on, Simon - take off the blinkers for just a second, man!

Most amusing of all is the entry on infamous Smith biographer Johnny Rogan -Goddard seething with jealousy that Rogan's Severed Alliance found its way onto Morrissey's radar while his own Songs That Saved Your Life merited less than a blip. One wonders what Morrissey would make of Goddard's latest love letter? I can't help but think that, like me, he'd find it a little excessive... though hardly worth the effort to complain about.

All that said, I consider myself fortunate to have read the Mozipedia. Firstly because many of the entries provided information I hadn't read before (and I've read a fair few Morrissey books in my time). There's certainly no faulting Goddard's research. Secondly, I didn't have to pay for it. It was a gift from the world's most generous blogger. He knows who he is. Many thanks, JC.


Wednesday, 29 September 2010

Top Ten Sugar Songs



I promise I'll get out of the coffee shop after this. I know you're all bored of these lists now. More interesting top tens to follow, I guarantee.

In the meantime... here's a countdown of my favourite sugary songs. As usual I've kept the list just to songs about sugar, so no room for The Sugarcubes, Sugar Ray or... Sugar.

Likewise, I've banned Brown Sugar by the Stones, purely because that was Number One on my Top Ten Brown Songs. Do I need to get out more or what?


10. Mary Lou Lord - Sugar Sugar

The old Archies Number One given a guitary makeover by Mary Lou Lord and Semisonic (apparently), with Drew Barrymore along for the ride.

9. Billy Bragg - Sugar Daddy

A Billy Bragg b-side. For those of you who appreciate the finer things in life.

8. The Stone Roses - Sugar Spun Sister

I like the Stone Roses.

I like Ian Brown.

But GOD, these lyrics were written by a 6th Form Poetry Student.

Her hair
Soft drifted snow
Death white
I'd like to know
Why she hates
All that she does
But she gives
It all that she's got

7. Neil Young - Sugar Mountain

You can't be twenty on Sugar Mountain.

But you can have ENORMOUS sideburns.

6. Aimee Mann - Sugarcoated

Aimee Mann writes biting lyrics... coated in sugar.

5. Def Leppard - Pour Some Sugar On Me

The 97th best band from Sheffield. And yet...

My favourite Def Leppard song is that one where they substitute the word 'rock' for the word 'fuck'. That's, like, so edgy, dude.

4. Flight Of The Conchords - Sugalumps

Kelis sang about her Milkshake...

Fergie sang about her Humps...

Flight Of The Conchords respond with an ode to their Sugalumps...

My sugarlumps are two of a kind - sweet and white and highly refined
Honies try all kinds of tomfoolery to steal a feel of my family jewelry
My cannonballs cause a kerfuffle - the ladies they hustle to ruffle my truffle
If you party with the Party Prince, you get two complimentary after-dinner mints



3. The Rubettes - Sugar Baby Love

Possibly the greatest pure glam-pop single ever written. Sing along if your voice goes high enougg.

2. Echo & The Bunnymen - Lips Like Sugar

I have nothing to declare about this song other than its genius.

1. The Four Tops - I Can't Help Myself (Sugar Pie Honey Bunch)

Better than any sugar rush.



They were mine - but what sugary song sets off your sweet tooth?


Tuesday, 28 September 2010

The Town



I don't know why people have such a problem with Ben Affleck. He's a decent enough actor, seems like a pleasant and intelligent bloke in interviews, and he's made some pretty good movies in his career. Good Will Hunting, Chasing Amy, Reindeer Games, Changing Lanes, Daredevil - OK, maybe no out-and-out classics, but he's rarely embarrassed himself. He has done his fair share of tat - Pearl Harbour, Paycheck, Gigli - and of course, he had pretty terrible taste in women (Gwyneth? Bennifer?) that's only been put right by marrying Jennifer Garner... but I still don't get all the hate.

When his career started to go off the rails a few years back (while his GWH co-star Matt Damon went stratospheric), Affleck wisely took himself off the board. If people are sick of your face, give them a rest. Now he's back, let's hope audiences are a little kinder this time round.

The Town is a pretty low key movie, but if it's indicative of the sort of story Affleck wants to tell nowadays - as actor and director - it bodes well for his future. The story centres on a gang of crooks in America's most bank-robbed city, Boston, and a relationship that develops between one of the robbers and a bank manager they take hostage, played by the always excellent Rebecca Hall. (Yes, yes, if my bank manager looked like Rebecca Hall, I'd extend my overdraft. Etc. Etc.) There's strong support from a volatile Jeremy Renner (look, comic fans - it's a Daredevil and Hawkeye Team-Up!), Mad Men's John Hamm (who doesn't look quite right without the slick 60s suits), Chris Cooper, Pete Postlethwaite, The Man In Black from Lost and... Blake Lively. And if I don't get the animosity towards Affleck, I certainly don't get all the fuss over current fashionista it-girl Blake Lively. Each to their own, I guess. If she gets a few more bums on seats for Affleck, more power to them both.

The Town isn't a classic, but it's more thoughtful, intelligent and dramatic that majority of Hollywood churn this summer. Give it a shot or wait for the DVD. You won't be wasting your time.

Monday, 27 September 2010

Holiday Wildlife


I promised you holiday snaps, but things keep delaying me. Here are a few creatures we met on our latest visit to the Lakes...


A family of swans. The young cygnet must be almost fully grown but has yet to develop its adult feathers.


We set out most days to feed the ducks and swans we'd met on previous holidays. Being earlier in the season, many of these were further down the shore in Bowness where the crowds could keep them in bread crumbs all day long. Apart from the family of swans seen in the first picture, we had to settle for feeding cheeky seagulls like the one above.



You can see understand meerkats have become so embraced by the Evil World of Advertising. They are exceedingly cute.



As are these chaps, the ring-tailed lemurs from Madagascar. Another red-ruffed lemur lived with them. Amazingly acrobatic creatures.




A family of zebras had just given birth to a new foal. Sadly they wouldn't let us close enough to the baby for a picture.



Emus in action.


And a brawny bison. OK, I'll come clean. Most of these critters aren't living wild in the Lake District - imagine if they were. We encountered them instead at Trotters World Of Animals in Bassenthwaite. Well worth a visit. While there, I held a python and a blue-tongued skink (no photos, sadly - worried the flash might piss them off!). I declined the chance to hold a tarantula though.


A dancing crane. This fella was a real show-off. We missed the falconry display at Trotters, but were lucky enough to stop off at the Yorkshire Dales Falconry Centre on our way home where met met some very entertaining owls... that's me in the bottom picture with a friendly little barn owl on my arm.





Sunday, 26 September 2010

Paul Heaton Spills The Acid

"I worked it out the other day," says Paul Heaton. "Since 1986, there have been 19 Mercury Music Prizes, 189* Q Awards, 350* Brit Awards..." etc. etc. (*I don't remember the exact numbers, but I wouldn't be surprised if the ones quoted by Heaton were accurate) "...and what have I won? Fuck all. I'd have more chance of winning a Mobo!"

The by now veteran singer-songwriter is half-joking with his audience in Manchester on Friday night, but only half. And he's got every right to be pissed off when everyone from Robbie Williams to Kula Shaker has walked away with armfuls of awards from the various music biz schmoozathons over the last 25 years, yet an artist who's been part of two Number One-selling groups, one half of the most successful British songwriting duo since Lennon & McCartney, and a critically acclaimed solo songwriter to boot... all he's got on his mantelpiece is dust. Oh wait, I just checked, The Beautiful South won Best Video in 1991. So that's all right then.

There are no Beautiful South songs in Heaton's solo set - the truth behind their split remains a mystery - but he has spiced it up from the last time I saw him solo with a welcome selection of Housemartins favourites, including a timeless Build, We're Not Deep, and a roof-raising Me & The Farmer. There's also a strong selection from his last solo album The Cross-Eyed Rambler - though nothing from its long-forgotten predecessor Fat Chance (by "Biscuit Boy") - and his typically acerbic new record Acid Country, which takes a while, but is a definite grower.

Never mind the lack of awards, Friday night was sold out and everyone at the Academy loved Paul Heaton. He knows it too, and is suitably appreciative, thanking us for our support over the years. Besides, a little bitterness becomes him - a more content man wouldn't ever write songs like this...



Friday, 24 September 2010

Friday Flash - I Can Read You Like A Book


You may have noticed my semi-absence this week. All events do conspire against me. I haven't had the time to breathe, let alone write any blog posts (or read any of yours - sorry!). I did manage to write a quick Thoughtballoons script - this week's character is Lara Croft, Tomb Raider. Not originally a comic character, though comics have been written about her. My story focuses more on her original incarnation, pre-Angelina Jolie. Should you be so inclined, you can read it here.

But for those of you who have been enjoying my Friday Flash stories - more than I expected when I started posting these - I didn't want to leave you without weekend reading. So, for your consideration, I re-present another old Elephant Words story I wrote three years ago. This one's for anyone who ever tried to pick up more than a paperback in their local bookshop...



I Can Read You Like A Book



If a colleague left their pay cheque lying on their desk, and you were bored, and there was nobody else around: would you take a look? Just to see how much they’re on, just to make sure you’re being paid an equivalent and not getting short-changed by management after all your long and devoted years of servitude?

Of course you would. You’re no different to me. Unless you’re the sort who’d do it, but wouldn’t ever admit to it. In which case: at least I’m honest.

***

Her name is Karlie. She stands with a soft drink strawed to her mouth like a nutrient drip. She considers The Little Friend because The Secret History rocked her world. She’s going to be disappointed, but she’s used to that.

The nipple on Karlie’s left breast is inverted, and as a result: so is her self-confidence. She won’t ever take off her bra during lovemaking, except in the blackout curtain night (no streetlight gets into Karlie’s bedroom), and only then for a lover she feels entirely at ease with. She rarely feels entirely at ease with anyone.

***

OK then, let’s try this one. If you were single, and on the look-out, and you met a potential partner – whatever your preference – and during that first conversation, when you’re sizing each other up for compatibility and the odds of mutual attraction… if, during that very first conversation, you could see them naked – I’m not talking schoolboy fantasy X-ray specs here, not actual physical nudity, but shorn of all the pretence and show and fakery we wear in public… If you could peek through their dead-bolted shutters and see the secrets they only reveal to their most intimate acquaintances, and maybe not even to them… would you do that?

It’s all right, I know the answer. That doesn’t mean it’s right.

***

Gemma is a Sagittarius. This is the first information she gives to any budding suitor, because it’s important he knows she’s a free spirit. She does not like to be pinned down. Chained up, yes. Whenever you feel like it. Gemma’s got a predilection for kinky that leads her to bite, scratch, slap and pummel; it’s also led to the sudden cessation of her past four relationships. And the one before that was with a real sicko.

She plucks a tatty old Anaïs Nin off the shelf and reads the back. She’s been single almost five months now and really wants to hit something.

***

This all started in the summer of ’99, a month or so after my big break-up with Diane. For a while there, I’d thought maybe Diane was the one. But as is so often the case, it was the little things that did us in.

Diane was a ‘see you soon’ person; I’m a ‘see you later’. There’s a difference, apparently. The former indicates a desire for the time apart to be minimal, an eagerness to resume, an appetite for togetherness. The latter, Diane would patiently impart, suggests a relationship of convenience, broadly translating to ‘once I’ve taken care of all the other, more important aspects of my life’.

Besides that, she hated the way I crunched Polos.

“Why can’t you suck them – like normal people?”

But the final crunch came one afternoon when we were driving to her sister’s, late as usual because Diane had insisted on stopping to check her lottery numbers at the off-license. It was a rollover week, and the fact that she hadn’t won so much as a tenner in three years, despite doing five lines a week: to Diane this indicated an increased probability of one day scooping the big one. That to me it indicated she was blowing a fiver a week on a big fat sky pie should go without remark.

So while Diane bit into her consolatory Twix, I was aiming to make up lost time by taking a back route, and not stopping for anything. Not even for the old man at the pelican crossing – the old man who’d just come out of Dust Jackets, weighed down with Ed McBains and Wilbur Smiths – the old man who would end it all.

“Why didn’t you let him cross?”

“We’re already late.”

“How long would it have taken?

“A lot longer than it took to just carry on. Besides, it was a pelican – not a zebra. I don’t know if you’re familiar with the Highway Code, but—“

“I’m familiar with the humanitarian code. What would it have cost you, thirty seconds, to stop and let that sweet old fella—?“

“For a start, you’ve no way of knowing he was a sweet old fella. He might just as well have been a dirty old paedo, on his way to the local playground to feel up…” She gave me a look like I’d chomped through a whole packet, but by now I was committed. “It might have been a lot more humanitarian to mow the old bastard down. If I’d stopped, I could well have been aiding and abetting a… a… besmirchment!”

***

Phoebe is ashamed of her body hair. She hesitates over Sue Grafton: has she read this one? D is for depilatory. T is for tweezing. She’s heard that some men prefer hairy women. Eastern European brides are all the vogue with a certain kind of gent. But that wouldn’t work for Phoebe, who puts a hand to her mouth whenever she’s talking to anyone she likes in case they’re not down with the down. B is for bleaching. E is for electrolysis. She wants a man who will trim her, nightly, and never consider it a chore. A man who won’t ever use the words: ‘granny ‘tash’, not even in jest. She doubts such a man exists, particularly one who would also stay smooth for her (she shudders at stubble). Sometimes she finds herself staring at young boys, spring teens who haven’t yet started to shave, and she loathes herself for doing it. Part of her thinks she’ll remain a hairy virgin forever.

***

“You always see the worst in people,” was the last thing Diane said before handing back my keys.

She should see me now.

***

Tina wears a long skirt that badly needs hitching up over her hips, and a lumpy bra beneath her Peter Pan blouse. She’s pretending interest in a Fielding, Henry – though in her heart she’d rather Helen. And if this were the actual Tom Jones… but she winces, because Tom – Tom was the name of her ex. The ex she let take those photos, all those photos. He still has them on his computer. And she knows, though she stands around the corner from the truth, she knows the sort of websites Tom visits. He showed her. He showed her and he laughed.

“You ever go with another man,” Tom used to say, “I’ll kick his cock off.”

All those photos. Tom still has all those photos.

***

So I’d been single for a month, and had started hanging out in bookshops again, because there really is nowhere better to meet intelligent, available women. My favourite haunt was Dust Jackets, that little place off the Oxford Road. You could always find something to wrap your attention in there… and they had a café too, which is always a bonus.

Let me explain something to you about lonely girls: lonely girls read. A lot. I bet if somebody did a survey of book-buying habits against significant other statistics, they’d find a good sixty, seventy per cent, probably more, of all paperbacks sold are bought by single women aged between twenty-five and fifty-five. (They already did the survey about libraries, but libraries are for your older maids, obviously – who the hell else borrows all those Catherine Cooksons?) Lonely women read… because what else are they going to do with their evenings? And if you think I’m being sexist, then consider this: the same would also be true of lonely men had some debaser not invented computer games and porn, thwarting and grubbying an entire gender.

Me, when I’m single, I fight the temptations. I prefer to read, broaden my mind, and hang around places like Dust Jackets. Do I think that makes me better than most? I’m not sure…

***

Persephone has weirdly disproportionate features, like a chinchilla. That’s not to say she’s unattractive. She skims the first chapter of a Jackie Collins and thinks about Julian, her former boyfriend. Julian liked to role-play. He’d have her dress up as a policewoman and arrest him, or a female barrister (wig and suspenders) and prosecute him, or a prison warder (Cell Block H variety) and punish him. Then he left her for a Religious Studies teacher and started volunteering for the Sally Army on weekends. Cunt.

Sometimes she sits outside his house, listening to the rain on the roof of her car, thinking about opening his garden gate, walking up the path, knocking on his door and throwing off her raincoat as he opens it… but so far, she’s just driven home and poured herself another White Lady, to help her sleep. She knows she won’t be able to connect with another man until she gets Julian out of her system, but it’s not that easy. What they had was special.

***

We read to know we are not alone. Best thing CS Lewis ever wrote – forget Aslan and the beavers. So if bookshops are where we go to seek kindred thoughts, maybe they’re also a place our subconscious bubbles most conspicuously to the surface. Especially for lonely people, who naturally dwell on themselves more than others. And maybe there are people: people like me, who can tune into that exposition – read it. I’m only speculating here, in case you’re the sort who needs a neat little bow tying on this kind of thing, but I will tell you this only ever happened in Dust Jackets: never in Waterstones or Borders, certainly never in WH Smiths. Make of that what you will.

The other good thing about bookshops, of course, is that not only will you invariably find single women there, wiling away a solitary afternoon with one eye on the shelves and the other out for forlorn possibility, but also that they provide wonderful opportunities for conversational gambits. I’ve always detested chat up lines, and think inter-gender small talk should be compulsory over French and Mandarin on every high school curriculum, but a bookshop remains one of the few places you won’t need either. All you require is a bluffer’s knowledge of classic and contemporary literature, and the willingness to step off the ledge every now and then.

“Margaret Atwood? That’s her best – I couldn’t put it down.”

“Ooh, Julian Barnes – have you read Before She Met Me?”

“Excuse me, I couldn’t help noticing you were buying One Hundred Years Of Solitude… have you read anything else by Marquez? There’s one I read years ago, on a backpacking holiday round Europe. I’ve been looking for it ever since, but I can’t remember the title. It’s about…”

I’d perfected the technique years ago, long before Diane, when I used to float around the university bookshop winter afternoons, keeping warm between seminars. Back then it was always scuzzy-haired girls with backpacks shaped like cuddly sheep, and bespectacled waifs with a penchant for Emily Dickinson. But though the basics remained the same, I soon came to realise that everything else had changed. Particularly the consequences.

***

The first time was Nancy. We bonded quickly over Coupland and Murakami, and surprised each other with a mutual sensitivity for Wuthering Heights (really, it’s all about knowing your audience), before I suggested a coffee – if she wasn’t in a hurry…

It was in the café, as I watched her pick a stray raisin from her chocolate chip cookie, that the pages began to turn.

“Am I your ickle girl?” she said, though it wasn’t the Nancy before me speaking now, not the one with the cappuccino-foamed top lip and a second-hand Mansfield Park paper-bagged for later – it was Nancy of another time, another place.

“Am I your pretty ickle girl?” Her voice was helium-high, cartoon, and to me: a bucket of ice. “Does daddy want to spank his pretty ickle chickinton—?“

Back in the café, I jumped – have you ever touched an electric fence? – and spilled my espresso into its itsy-bitsy saucer. Grown-up Nancy tightened her eyebrows, and leaned ever so slightly across the table towards me.

“Are you all right?”

Behind us, a middle-aged woman raised her voice to ask her elderly father, “Do you want tea or coffee?”

“Eh?”

“TEA – OR – COFFEE?” the woman megaphoned, emphasising the words with her lips.

“Oh,” the old man replied, after giving it a good long think. “Yes, please.”

Nancy laughed, and, grateful for the distraction, I made my excuses and left. Without her phone number. I’ve always found baby-talk a humongous turn-off.

***

Three weeks after we split, I get a call from Diane out of the blue. I reckon she’s remembered I still have all her Harry Potters, but it’s not that at all.

“Did you see last night’s Post?”

“I’m not a regular subscriber.” This is what I’m like with exes. There’s no going back.

When she’s stopped swearing at me, she tells me what she thinks, reading the headline from the paper. Local Sex Offender Jailed For Life. Seventy Three Year Old Ronald Herbert…

“It was him. The old man we saw outside Dust Jackets. I’m sure of it. The one you…”

I stop her there, ask her why she’s doing this. Sarcasm doesn’t become you, I tell her. Why is she still so bitter? Let it go, get on with your life…

It’s only later I think… shit.

***

Lisa’s in the magazine section, flicking through a Chat. ‘Slashed by my boyfriend,’ shouts one of the blurbs, ‘but he blamed Shakin’ Stevens!’ ‘Killer boobs,’ bawls another, ‘fighting for my life after my new breasts went boom!’ She’s wearing three different coloured T-shirts on top of each other, like Russian dolls. ‘I fetched him a kebab and watched him die!’ By the time I realise I’m staring, it’s too late to back out.

“It’s garbage, isn’t it?” she says, smiling as she slips the mag back onto the rack. It catches me off guard, because women never start the process themselves – who can blame them, when the world’s so full of predatory worms? Men, I mean. It’s why I’d hate to be a woman. The enemy never stops advancing.

“I don’t know,” I smile back, “there’s part of me thinks it’s like some kind of poetry of the grotesque, some dark Swiftian…” It’s one I’ve been rehearsing, but really, my heart’s not in it. Because all the time, I’m thinking: I like her style; thinking: I saw her earlier, with an Ali Smith and an Italo Calvino; thinking: come on, let’s get this over with.

***

And that’s why I’ve decided to stop scouting women in Dust Jackets. Because though at first it held a sly, voyeuristic thrill – after a while, it just became self-defeating. It’s like when you’re a kid and someone in the playground hands round a copy of the latest James Herbert in which they’ve marked all the mucky bits: where’s your incentive to read the whole thing? And it might just be, if you’d started at the beginning, you’d love it. But now you’ll never know.


Wednesday, 22 September 2010

30 Songs - Day 17


Day 17 - A Song You Hear Often On The Radio

I don't listen to the radio much. Apart from Mark Radcliffe. And Alex Lester when I can't sleep. Some of you will know why, but it's not something I can discuss here. For the time being.

Many people are critical of local radio stations that only seem to have three songs on their playlist at any one time. One of those three, at the moment, would appear to be this relatively harmless little ditty...



I don't dislike Katy Perry. Every generation needs a decent out-and-out popstar, and she's far less annoying than Lady Gaga. She's sexy in a very obvious and plastic way and does appear to work hard doing what she does. Snoop Dogg is also someone I have a lot of time for. He was great in Monk.

The only problem I have with Katy Perry is her choice in men. There hasn't yet been a deep enough hole dug to cast Russell Brand into for all eternity... but my spade continues to dig.

That said, I still prefer the Beach Boys version.


Monday, 20 September 2010

Where We Stayed On Holiday



Five Star accommodation as always.

More holiday stuff when I unpack my head.


Friday, 17 September 2010

Friday Flash - Beam Me Up


I'm not actually here this week. So I haven't had time to write a new story for Friday Flash. So instead, here's one I wrote three years ago (really? that long?) for Elephant Words. Hope you enjoy it.




Beam Me Up



Amy parked by The White House, where the sheep dawdled in the road like truculent teenagers, and took the path up Blackstone Edge. The Pennine Window, that’s what the experts called this area. From Blackburn across to Ilkley in the north, and down as far as Sheffield in the south. The most active UFO window in the country, where one fifth of all reported UK sightings had taken place, dating back as far as the 16th Century. Or in Amy’s case, as far back as 1977… which was a lifetime ago, and nothing went back farther than a lifetime.

She repeated the acid of a red onion chutney she’d spread on her sandwiches that afternoon. Not a problem. She unwrapped a couple of Bisodol from her backpack and chewed them, puckering so as not to leave chalky residue on her lips.

“It’s like kissing a blackboard,” Yann had told her; back when kissing had been more of an issue between them.

Above her loomed the Blackstone rocks, where climbers kicked in their crampons on a weekend, and from where, on a clear day, they said you could see as far as the Welsh mountains – if your eyes were up to it. Tonight Amy could see the twinkling of Littleborough below, Rochdale to the west and Oldham to the south. Beyond that, the tremendous burn of Manchester, radiating from the horizon.

She worked her way round back of the rocks till she came out on top, then laid her blanket a cautious distance from the edge. It was a deep midsummer twilight, and the stars had just begun to spark, though it was after ten and the heat of the day had long since rolled off the moors. Amy pulled up her knees and huddled the blanket round her shoulders, waiting.

So long, waiting.

1977, walking Oscar round Hollingworth Lake after tea. He’s your dog, your responsibility. Rather be home watching telly. Missing Charlie’s Angels tonight. ‘Once upon a time there were three girls who went to the police academy…’ Watched the first bit before Dad fetched her the lead. ‘I took them away from all that and now they work for me.’ Half seven, getting dark earlier each night, why does Oscar have to sniff at every post, every clump, every tree? Mum’ll be worried sick if we’re not back soon.
Starting to run. Oscar panting, excited, thinking it’s a game. Stupid dog…

Then the Christmas tree.

Wrong. It couldn’t be a Christmas tree. It was only September.

And the lights, the lights weren’t on the ground, they were moving across the lake. Fast. Oscar barking, the lights getting closer, reflections slurring on the water – run!

“Where the hell you been, young lady?”

Daddy. Daddy, what’s wrong?

Mum crying, the policewoman coming in from the kitchen.

“Your parents have been very worried about you, Amy. You mustn’t run away like that again.”

Didn’t run away – daddy, I didn’t, I was running back. From the Christmas tree! Back to catch the end of Charlie’s Angels! I didn’t—

“Amy, you’ve been gone three days. Your mother’s been out of her mind!”

“Where’s your dog, Amy? Have you been out looking for Oscar? It’s OK, no one’s going to be angry, but you have to tell us the truth. Where have you been, Amy? Where’s your dog? Amy? Amy?”

Headlights from the road crawled up the moors below. A lone bat etchasketched on the blue-black screen. Amy’s tongue rolled over the impacted wisdom tooth that always caused her so much grief. Made her gum swell and smell, like foul red cheddar. Bad days, she honked like a goose.

“Why won’t you let them take it out?” Yann used to ask.

Scared, she told him. Of coming out of the hospital with a boot print on her chest. It wasn’t the truth, but it satisfied him for a while. Lies always did a better job of that. No dentists. No X-rays. Amy couldn’t risk what they’d find.

She was 38 now, but looked and felt ten years older. Still, she’d made an effort tonight, though she wasn’t sure why. Clean underwear, ninety quid jeans, that top she’d caught the MD peering down at the management meeting. Make-up – probably too much, but she’d never known how much that was. She remembered Caroline Egdall taking the piss, “You a panda or wha’, Lewis?”, before slapping Amy hard up the side of her face, yanking away her satchel, and pushing her down the banking behind the sports hall. Caroline Egdall. Whatever happened to Caroline Egdall?

“You’ve been missing a week now Amy, and so has one of your classmates. Only Caroline’s still missing… and her parents are understandably very concerned.” The headmaster and his frowning brow. “If you won’t tell us where you’ve been this last week, at least tell us if you know where Caroline might be…”

What could she say? They wouldn’t believe her. The Christmas tree again, floating over the banking, Caroline silhouetted against its lights, Amy scrambling up to reach her, screaming with no sound. Waking shivering six days later, face down in the dew. A blackbird pulling at a worm, it took flight as she lifted her head from the grass.

They tried therapy, they tried hypnosis. Caroline’s father tried threats. Her own father tried tears. She couldn’t tell them anything. The doctors gave her a complete physical, reporting bruises, marks, blistering… possible signs of sexual abuse.

“Whatever happened,” they concluded, “Amy’s mind has blocked it out to protect her. It could be risky to probe further. Any attempt at forcing her to relive her ordeal could have serious psychological consequences.”

Now it was dark, and the lights twinkled above and below. Not much longer, she thought. She hoped. She prayed (though she wasn’t sure to whom). She was begging them now. This time, please. Please!

She’d never wanted the baby. But when she got pregnant, Yann was over the moon. Amy kept waiting for the maternal instincts to kick in, but there was nothing there for her. Yann was buying buggies and painting the nursery and reading books of names in the bath (Erin, Beth or Selina; Wesley, Patrick or Matthew). Amy was crying in the ladies at work and going through a full roll of Bisodol every morning before lunch. How had this happened, anyway? She was on the pill, and she always made Yann use a condom. Surely that was enough? When she was young, Katie Swain told her if she had a big wee after sex it’d wash all the sperm out and there’d be no way she could get pregnant. She’d stopped believing that a long time ago. Maybe that was her mistake right there.

On a sticky night in July, Amy woke paralysed and saw the Christmas tree lights outside her bedroom window. Yann slept on beside her, a low growl in the back of his throat, and Amy was terrified. She thought they’d come for him. She couldn’t bear being left alone, not with this thing growing inside her. Without Yann, she couldn’t go through with it. She wanted to scream and kick and punch and yell, but she knew it was hopeless. They did what they did. There was nothing Amy could do to change that.

When she woke again in the morning, Yann was screaming. At first she thought they were still wherever they went, that maybe she was actually seeing it all this time – and maybe that meant neither of them would be sent back. But then she recognised her bedroom curtains and the tapestry Yann’s parents had brought from Europe, and she caught the look on Yann’s face and realised.

“Where have you been? Where have you been? And what’s happened to the baby?”
She’d been gone three weeks this time, only Yann hadn’t been with her. Once again though, she’d returned alone.

“What have you done with our baby?”

More doctors, more tests. Still no answers. Yann became angry, became distant, picked up some slapper in a club in Manchester and started screwing around behind Amy’s back. Only not quite far enough behind her back. He left just enough distance that from time to time she’d catch him out of the corner of her eye. Smiling, but without any joy.

Amy shivered, and for a second, she thought she saw them. The Christmas tree lights. But it was just a police helicopter in the distance, buzzing the town. The night was growing colder. She pulled the blanket tighter, though she knew it’d get colder still.

“Come on… come on!”

Seventeen nights, and not even a shooting star to show for it. They’d sent her home from work because she kept falling asleep at her desk. The doctor had written her off for a fortnight, but that was almost done now and then she’d have to go back. Every day she went online and scoured the message boards. Activity levels were at a peak right now, particularly within the Pennine Window. UAP and LITS, credible low and medium definition sightings, animal disturbances – even ball lightning. But sitting way up here on Blackstone Edge, with just her flask and binoculars, and only the sheep and an occasional bat for company, Amy hadn’t seen a thing. She’d thought about finding a different location… but what if that was the night they came? Her odds felt better if she stayed in one place.

She’d read somewhere that it was impossible for astronauts to cry. In zero gravity, not even tears could fall.

So patience, that’s all she needed. After all, it wasn’t like she was a stranger to them. If they were here, they knew she was here. Sooner or later they’d come for her.

And when they did?

This time, she wouldn’t let them bring her home again.


Thursday, 16 September 2010

Top Ten Milk Songs


I did coffee...

I did tea...

But for those of you who prefer your beverages caffeine free and full of calcium... a Top Ten Milk Songs seemed a must.




10. Eddie Cochran - Milk Cow Blues

Rock 'n' Rollers knew how to write songs about farm animals. See also the Elvis version. We need more cows in the chart these days (and no, I don't mean Lady Gaga).

9. Kelis - Milkshake

Her milkshake brings all the boys to the yard. Haven't a clue what this means, but it does make me want to go to the yard. And I don't even like milkshakes.

This would normally be a good time to mention Flight Of The Conchords' hilarious reaction to this song... but I'm saving that for next week.

8. Garbage - Milk

You always have to wonder why Shirley Manson decided to call her band Garbage. Doesn't suggest a whole lot of confidence in the end product, does it? I still think Rubbish would have been a better name.

7. Art Brut - DC Comics And Chocolate Milk

Part of my Best DC Comics Songs post, the ironic thing being that this song is actually better than most DC comics these days.

6. Dr Feelgood - Milk & Alcohol

One of Mark Radcliffe's favourite bands. I reckon The Dude would appreciate this song too, since his beverage of choice is a White Russian.

"Hey man, there's a beverage here!"



5. Herman's Hermits - No Milk Today

Written by Graham Gouldman, who went on to form 10CC, this always reminds me of free school milk. Here's something I've probably told you before - drinking milk makes me throw up. I discovered this when I first went to school. After a couple of days trying to get me to drink my free school milk, the teacher gave it up as a bad job. When I went up to the next class a year later, I tried explaining to the new teacher that I didn't drink milk, but she wasn't for listening. She soon learned.

4. Rufus Wainwright - Cigarettes & Chocolate Milk

Not quite as bad for Rufus as Eddie Argos's chosen accompaniment for chocolate milk. In case you were wondering, chocolate milk makes me throw up too. And so do cigarettes.

3. Saint Etienne - Milk Bottle Symphony

Possibly Saint Etienne's greatest moment.

Oh, sod it, there's no 'possibly' about it.

2. Billy Bragg - Milkman Of Human Kindness
If you're lonely, I will call
If you're poorly, I will send poetry

If you're sleeping, I will wait
If your bed is wet, I will dry your tears

If you are falling, I'll put out my hands
If you feel bitter, I will understand

I love you
I am the milkman of human kindness
I will leave an extra pint

A bad pun has never sounded so sweet.

1. Benny Hill - Ernie (The Fastest Milkman In The West)

I was never really a Benny Hill fan. Even as a kid I found him a bit too silly, and I guess I was too young to appreciate the innuendo. But I do consider Ernie to be a minor work of genius: not just a spoof country and western song played for laughs, there's something genuinely moving about its tragic and spooky denouement.

Was that the trees a rustling
Or the hinges of the gate
Or Ernies ghostly goldtops a rattling in their crate?
They won't forget Ernie
And he drove the fastest milkcart in the west



Have you Got Milk? What's your favourite milky milky song?


Wednesday, 15 September 2010

Thoughtballoons - Mister Mxyzptlk




This week's Thoughtballoons character is the Superman-plaguing imp from the 5th Dimension, Mr. Mxyzptlk. If you're unfamiliar with the character, he's a magical sprite who likes to cause mayhem and can only be sent back to his home dimension by getting him to say his own name backwards. Kltpzyxm!

Fortunately, there's another DC character (one of my favourites) who's famous for her backwards spell casting ways...

Pop over to the Thoughtballoons site to read my story and see what the other guys have come up with for Mxyzptlk.


Tuesday, 14 September 2010

Her Fearful Symmetry



How many reviews of Her Fearful Symmetry will begin with the reviewer telling you how much they loved Audrey Niffenegger's previous book, The Time Traveller's Wife?

And how many of those reviewers will then go on to tell you that however much they enjoyed Niffenegger's latest... it's not quite as satisfying as her debut?

I'd like to buck that trend, but I'd be lying if I did. Partly it's the downbeat subject matter of this second book - a story that literally spends the majority of its time hanging round graveyards like a moody Goth. Partly it's the characters - precocious twins Julia and Valentina, weak-willed romantic Robert Fanshaw and agoraphobic OCD shut-in Martin Wells... none of whom are quite as easy to warm to as Henry DeTamble and his eponymous missus. The best character in this story actually dies in the book's opening line - though fortunately that's not the end of Elspeth Noblin. Unable to move on, she haunts her former apartment (now bequeathed to her twin nieces from the States), trying to come to terms with her spooky new status... while secretly pining for a way back to the land of the living.

The story is slow to get going, though not unpleasant reading. Niffenegger spends a long time letting us grow to like - if not ever love - her characters, so that when the plot does begin to twist in unexpected directions, we're carried along. There is however one major plot twist which takes a huge amount of swallowing, and your enjoyment and satisfaction with this novel will depend wholly on whether or not you're able to force that down. If you can, there's a lot to admire about this book. If not... you might end up quitting three-quarters of the way through. Which would be a shame. But to say any more would spoil the plot for everybody. You pays your money, you takes your chances...


Monday, 13 September 2010

This Time It's Personal Meme (Part 2)


From Sunday Stealing...

(Part 1 back here.)

21. If you were to live your life without your best friend, what would change?

I don't have a best friend. Don't get me wrong, this isn't one of those "woe is me, nobody loves me" answers. I have a number of good friends. I just never had one who I was closer to than any other. I often wonder what I'd do were I ever to get married. I wouldn't have a clue who to ask to be my best man.

22. Tell us about a era of your life that you really miss.

I've thought long and hard about this question and can't really arrive at a satisfactory answer. There have been some great times in my life, but usually when other not-so-great things were either going on too or just around the corner. I prefer to live in the now and hope for a brighter tomorrow.

23. Have you ever been betrayed by someone that came as a complete surprise? Without revealing the person, if yes, tell us about it.

Yes. My first serious girlfriend was cheating on me, behind my back... with another woman. It wasn't the bisexuality that came as a shock, but just who that other woman was... and the true story of how she and my ex had got together. It's the kind of story I'd consider writing up as a Hollywood thriller a la Fatal Attraction or Basic Instinct (without the murders), yet the whole thing would seem just too implausible. Truth is stranger than fiction.

24. Do you ever think it's a good idea to hide your feelings?

Yes.

25. Tell us about your favorite year when you were a student.

As I've mentioned before, I have major regrets about my time at uni. I should have gone away to study rather than staying at home and working nights to pay my way. Yes, I walked out without any student debt, but I definitely missed out on the social life... which might have made me a different person.

If I could go back and visit any of my student days, it'd probably be Sixth Form. We had a laugh.

25. When was the last time you were in a very good mood? What caused it?

A very good mood? How long have you been reading this blog? My memory doesn't go back that far.

26. Have you ever had a romantic relationship with a sibling of a good friend?

No. Mike's brother was never interested. (That was a joke. I don't know anyone called Mike.)

27. Tell us about the last thing that you did that you truly regret.

Well, I came to work this morning. I always regret that.

28. When did you laugh today?

When I finally saw the new Grinderman video. Nick Cave and his Great Balls of Fire.



29. Do you trust easily?

Didn't we answer this one already?


30. What do you care about that you wish more people would?

Stopping distances.

31. Is it easier for you to go without food or go without sleep?

Hmm... I'll say food. I'm no good to anyone if I've not had a good night's sleep. Some would say I'm no good even if I have.

32. What non-alcoholic beverage do you enjoy drinking the most?

Canada Dry Ginger Ale.

33. When you walk into a room full of strangers, generally how is your confidence?

Depends why I'm there.

Generally, though, pretty low. But I'm working on that.

34. Does talking about sex with anyone but your lover make you uncomfortable?

Not really. Not that I do a lot of talking about it with anyone else. So maybe it does.

35. Do you tend to believe members of the opposite sex mostly behave the same way?

No. I don't believe members of my own sex mostly behave the same way, so why should women?

36. Did you drink any alcohol this week? If yes, what?

Not for the last ten years.

37. Would you ever consider being a vegetarian?

I have considered it in the past. I respect and admire anyone who can do it. But I don't think I can.

38. Do you believe there’s always room in your heart for someone?

What an odd question. Everything depends on circumstances. I almost posted a Living In A Box video in reply to this, but I resisted the temptation.

39. Do you believe in the concept of soul mates?

No.

40. Last week, we had a few players criticize our victim’s questions. Which is fine to do and we value your opinion. Would you ever consider writing questions for Bud and me to post on a Sunday Stealing?

You've already posted two of my memes, dude. Question answered.

I believe this particular meme isn't yet finished. I'll be back with Part 3 later.


Friday, 10 September 2010

Friday Flash - Erase & Rewind




Wednesday 10.35pm.

It’s a pearl-handled flick knife with a three inch blade. Alex stole it from his brother’s stuff when Johnny went inside. Johnny took it from an old man who pulled it during a burglary. Took it and used it. Alex hasn’t ever used it like that. He’s never had to. He chooses his victims carefully. No one who looks like they might give him any kind of aggro. So when he shows them the knife, they give him what he wants. A simple, straightforward transaction, and nobody gets hurt. You’re a fool if you go looking for trouble, even in his line of work. That’s how you end up inside, like Johnny.

What Alex wants right now is music. He’s broadening his horizons. iPods are a terrific invention. Kids nowadays, they carry their entire record collection round with them – and give it up so easily. It’s a lot less hassle than the old days shoplifting CDs from HMV, racing fat security guards down the escalators and across the precinct. You don’t even have to go out looking. Sit on any street corner long enough, and some kid’ll bring their music right to you. Of course, you’ve got to be canny when you’re choosing a vic. Nobody who looks like they might be into X-Factor or Glee, though you can usually tell that by the way they dress. Too many bright colours in their wardrobe and you can guarantee an earful of Girls Aloud and not much else. Once Alex stole a Touch from some blonde girl in a dayglo top – she must have been 18, that was the shocking thing – and it was wall-to-wall Justin Bieber, the whole 32 gigs, one remix after another. Alex couldn’t even bring himself to sell that one down the Cash Converter, he just dropped it off the flyover instead. Ever since then he’s been careful only to take iPods from people wearing dark clothes. The Emo kids, the metalheads, the skate-punks. Stuff like that, he doesn’t have any problem with. Plus, you’re far more likely to be surprised by their music libraries. For every My Chemical Romance track, there’ll be some Nick Drake or Nina Simone or Gil Scott Heron. Alex likes to be surprised.

Take this girl here, with the thick-framed glasses and the purple streaks in her hair. All in black, apart from the wires leading up to her ears. She looks like the sort who’ll introduce him to all kinds of interesting new tunes. As music theft goes, this is way more exciting than bit-torrenting.

Alex jumps down from the church wall and opens the knife with that cool, casual motion that makes it such a design classic. What sort of backwards country is it where an object this striking and graceful is illegal to carry round in the street?

“I don't want to hurt you,” he tells her. He likes to make that clear up front, especially with women. He’s no wish to be taken for a rapist. He isn’t into that sort of thing at all. Any woman he’s with, she’s there because she wants it. Only desperate losers force it - or sick, twisted losers – and Alex isn’t either. Not that this girl’s really his type. Needs to put on a few pounds and get a decent haircut first.

“Just give me your iPod and I’m on my way,” he says, raising his voice in case she can’t hear him over her music. But he’s in luck: the girl does exactly as he asks, without any quarrel. So he takes the device, wraps the wires round the case, nods a cheeky ‘thank you’ and legs it down the alley towards the park.



Wednesday 8.01pm.

Kelly goes out after Eastenders. This will be the third night, and she’s starting to get impatient. Three of her mates have lost their iPods to this creep in the last month and it’s time for payback. But Kelly’s walking round with a loaded weapon in her pocket and she worries if she doesn’t find him soon, it might go off all by itself.

She goes up Waterloo Street first, towards the chippie where the bloke stole Charlie’s Zen Jukebox. Charlie hates Apple, she says iTunes makes her pc crash and refuses to give Steve Jobs any more money. She’s really bolshie sometimes, Charlie. Maybe that’s why Kelly likes her.

Next she walks across the park where Lara lost her Shuffle. Lara’s not the sort to hang round the park by herself after dark, but she’d had a massive row with Steve that night and went for a cry in the bandstand. Lara’s a bit of a drama queen, but funny with it.

But there’s no one in the park tonight, not even a dog walker, so Kelly crosses the old railway bridge, goes through the Co-op car park, and comes out by the Fun Pub. It was in the bus shelter just down the road where Amanda became his third victim. A brand new 64 gig Classic, she’d got it for her birthday and spent all weekend loading it up with songs. And what, this bastard thinks just ‘cos he’s got a knife, he can take it off her – take anything from anybody? Amanda told her dad who reported it to the police, but they won’t do anything. They can’t even catch all the murderers and rapists who live in this town, why are they going to bother about a few stolen iPods? And even if they did, he’d probably get off with a slap on the wrist. It makes Kelly so angry to even think about it, that’s why she’s taken retribution into her own hands. Now all she has to do is find him.

He’s a clever bugger though. Moves around to avoid getting caught. So much for criminals always returning to the scene of the crime. Kelly’s almost ready to call it a night when she notices this bloke sitting on the wall outside the churchyard. Puffer jacket and beanie hat, just like Charlie and Amanda described him. Lara’s description was a little more colourful. Lara’s kind of the reason Kelly doesn’t swear more herself. No way she’d ever be that good.

“I don't want to hurt you,” he says as he jumps down from the wall, and Kelly has to fight the urge to cheer. At last! Take this, you… fucker!



Wednesday 11.16pm.

There’s no one in when Alex gets back to the squat, and that’s just the way he likes it. He tries the lamp and is pleased to discover the power’s working. They steal electric from the pub next door, but the wiring Lance bodged together to make that happen is pretty hit and miss. Still, you get what you pay for. Alex puts his laptop on to charge (he nicked it from the back of an Audi in the multi-storey a couple of months back) and rolls himself a joint from the stash under the carpet. He cracks open a warm can of Fosters (the fridge is knackered again) and flops back into the sofa with his new toy.

Fitting the phones in his ears, he holds down the ‘on’ button. The screen lights up and he scrolls through the options. He’s disappointed – and a little confused – by what he finds. There’s only one song in the whole library. And he’s never even heard of it, or the artist. Vorvadoss? The Eraser? A whole 59 minutes of this shit? Just his luck, it must be some kind of prog-metal concept album bollocks. That girl didn’t really look the type. Still, he’s not got anything else to listen to tonight. Should at least give it a try. Maybe it’ll blow his mind…



The previous Sunday, 12.18am.

Finally, Kelly finds the download. She’s been online since lunchtime Saturday, so thank god her parents are away for the weekend. There was nothing listed on google, so this has taken her much longer than it should. She first read about Vorvadoss, The Eraser when she was hanging round the demonology chatrooms last summer. She’d been almost-seeing this guy called Russell who she’d met through Facebook and who claimed to be a practising necromancer, though Kelly thought he was full of shit. She’d been reading up on various malefic practises in the hope of not seeming like such a dumb little baby when they met, but he kept cancelling on her and looking back now, she's pretty sure he was either one of her friends messing about or some sad old bastard who thought he was grooming her but couldn’t quite get it up. Either way, she didn’t care, she’d become far more interested in his supposed specialist subject than she’d ever been in him.

Online occultism was the next big thing, and Kelly was glad to be into it while it was still taking off – or before they banned it altogether. There were all kinds of cool spells you could download if you knew where to look. Many came as apps, but as Kelly didn’t have an iPhone yet, she had to stick with the ones that were available as mp3s or, if desperate, wavs. She’d fluked an A on her physics exam through one, got Jenny Villiers thrown off the netball team with another, and made Lily Lucas throw up all over Amanda’s ex with a third, after that two-timing rat Kenny Dwyer came on to Lily in the Sixth Form cafeteria right in front of Amanda. The spell to make Martin Richardson fall head over heels in love with her was a wash-out though, as was the one to give her bigger boobs (hell, any boobs would have been a start). But she’s got high hopes for Vorvadoss, The Eraser. Partly because it’s been so difficult to track down, but mainly because so many people in the chatrooms warned her against it.

She hits download, then connects her iPod to the pc.



Thursday 1.13am.

Lance parks the van round the back in the pub car park then hops over the fence and brays on the kitchen window with his fist. He can see the light from the living room and the back of Alex’s head over the sofa. He needs to unload the gear quickly, before anyone sees him, and he needs Alex’s help because some of it’s pretty heavy. There’s three flatscreen TVs and a home cinema system among the haul they boosted from the lock-up down Castle Street, and though Dave helped with the actual robbery, he had other plans for the rest of the evening. Some bird he’d met down the swimming baths. Dave was always getting off with women down the swimming baths. “You see ‘em in their cossies, you know exactly what you’re letting yourself in for.” This latest was a nurse too, the lucky bastard. Worked shifts, so she’d just be getting home, still in her uniform and all. Lance is jealous, but he’s not about to let Dave see that. Still, when that lazy sod Alex can’t even be arsed getting up off the sofa to help shift the gear, that’s just about the final straw for tonight.

“Oy! Cloth-ears! Wakey wakey!”

Lance barges through the kitchen and kicks the back of the sofa, gives it some really welly, but Alex doesn’t move a muscle. So he goes round the other side to give Alex a good slap round the chops and wake him up but what he sees stops him dead.

“There’s nothing left,” Lance tells the police when he finally pulls it together enough to call 999. He’s not thinking about all the stolen gear they’ll find in the squat or out back in his van. He’s not thinking about the bag of weed still open on the coffee table. He’s not thinking about anything except what he saw on Alex’s face.

“Please… do something… there’s nothing left.”


Thursday, 9 September 2010

30 Songs - Day 16


Day 16 - A Song You Used To Love But Now Hate


Ah, the Beatles. You've got to love 'em, haven't you?

As mentioned previously, despite being a huge Lennon & McCartney fan in my youth, I burnt out on the Fab Four some years ago. It's the sheer damn ubiquity of them that gets me. And while there are still many Beatles songs I can hear without having to rush over and turn off the radio (generally post-Sgt. Pepper), there are some that send me into a Macca-stomping rage. Hello, Goodbye is the worst offender... though I can't explain why. It has that irritating singsong quality of McCartney at his chirpy-chappiest.

The curious thing is, I don't hold the same animosity towards Wings or solo McCartney. I can do without seeing his perma-grinned face gurning out of the TV at me, but I'd still sing along at the top of my voice to Jet, like Alan Partridge in his hotel room. But as Alan himself always says - "Wings - they're the band the Beatles could have been."

Erm...



Wednesday, 8 September 2010

The Expendables




I never thought I'd hear myself saying this about a film, or anything else for that matter, but what The Expendables really needed... no, what it really needed... was more Dolph Lundgren.

Now I'm hardly what you'd call a Dolph Lundgren fan. In fact, up till now, I think I've seen a grand total of two of his films - Rocky IV (which was bollocks) and the original 80s version of The Punisher (which was utter bollocks, though not quite as bollocks as last year's woeful Punisher War Zone). I don't consider Dolph a great actor. Hell, I don't even consider Dolph an actor. Yet unlike many of his aged action hero comrades in The Expendables, Dolph appeared to know exactly what he was doing. He was taking the piss. And if there'd been more of that, The Expendables would have been a much better film. Unfortunately, Slyvester Stallone, Jason Statham, Mickey Rourke and (to a lesser extent) Jet Li appear to be taking this material far too seriously. And therein lies the tragedy.

Films like The Expendables can only really work (for me, at least) when they know they're rubbish. When they wedge their tongues firmly in their cheeks and glory in that very rubbish-ocity. Look at Willis. He's only there five minutes, but the smirk doesn't leave his face for a second. (Some believe the wind stuck when he was a particularly smug child and that's just his default expression. This Bruce-fan would never be so cruel.) Even Arnie, wooden as ever, knows he's here to take the piss. Stallone though - Stallone is serious. He's staked his career on this comeback, and he's desperately trying to make some kind of statement. Or rather, SUB KIBE OB STABEMEBNT. And Rourke? Oscar-worthy in The Wrestler, Raspberry-worthy here. That comeback didn't last very long, did it Mickey?

(The less said about Statham, as always, the better. I was disturbed to see him cosying up to Charisma Carpenter though - Cordelia's taste in men doesn't improve with age, does it?)

Don't get me wrong, The Expendables is not an unenjoyable way to spend an hour and a half if you grew up watching daft 80s action movies. There's enough OTT violence and dumb one-liners to satisfy anyone who ever claimed First Blood: Part II or Commando a classic. But we've all grown up a lot since then. Well, all but Sly Stallone. In Sly's world it's still 1985, Reagan's still in the White House, the video shop still rules home entertainment and dumb action movies may still have the PODENDIAL to CHAMGE BHE WORLB. "The Most Awesome Action Cast Ever Assembled"? Pity they couldn't have spared a few dollars for the script.


Tuesday, 7 September 2010

Harker - The Woman In Black




The second Harker collection takes our favourite grumpy comic book sleuth on holiday to Whitby (yay!) - but as is always the case in detective fiction, murder follows our hero wherever he goes. I couldn't have been happier to find The Woman In Black set in my favourite seaside town, particularly as artist Vince Danks does such an amazing job of capturing familiar locations, from the Abbey to the harbour bridge, the cobbled streets and dingy, Goth-infested pubs. Roger Gibson's murder mystery is somewhat predictable this time round, but it's saved by the excellent character work (DI Harker and DS Critchley really do deserve a transfer to the small screen), a witty script and some excellent set-pieces... particularly the climactic showdown during a football match between Whitby Gazette and Real Gothic, with Critchley as a last minute sub. Just pure entertainment!

Catch up on your Harker action here.


This week's Thoughtballoons character is Ryan's favourite, Daredevil. I'm a big DD fan too, so I'm a little disappointed with the story I ended up writing. It works perfectly fine as a 1-page gag, but considering all the great writers who have worked on Daredevil in the past, I really ought to have done better.

You can read my 1-page Daredevil story here, but don't say I didn't warn you.


Monday, 6 September 2010

International News




We arrived home on Friday night to news of a massive earthquake in New Zealand. We heard this from Louise's brother Adam who lives close to the epicentre in Christchurch. 7.1 on the Richter scale, it happened in the early hours of the morning when Adam was asleep and lasted almost a minute. Homes and commercial property were destroyed - the restaurant across the road from Adam's house collapsed. Fears of an ensuing Tsunami drove people out to their cars to seek higher ground. The roads were soon jammed. Adam couldn't get his own car out of the garage because the power was cut and the electric garage door was jammed. His girlfriend was away from home visiting friends in another part of the country and Adam couldn't reach her on the phone. He could however call his parents and family, 12,000 miles away, who were able to offer moral support and a friendly voice when he needed to hear it most. He also acted on their advice to take food and warm clothing / blankets with him... though when he calmed down later, he realised all he'd actually managed to grab was a pillow and a jar of gherkins.

While Louise spoke to her brother and her family, I searched the news for updates. Did I find any? The BBC? Sky News? Teletext? None of them were even mentioning it. I turned on the ITV evening news to find a large segment taken up promoting ITV's new breakfast TV service which will be replacing GMTV from today. In other words, an advert. We supposedly live in a 24 hour rolling news society, yet all this actually means is the same three stories rotating ad infinitum. Apparently some government advisor is being accused of phone tapping. That's pretty scandalous (though not as scandalous as the idea of former News Of The World editor working in a key government position in the first place), but it's the sort of story the media go overboard on because it's about The Media. After I'd heard the same soundbites five times with no mention of a disaster in a country that, though on the other side of the world, still has a major expat community, I gave up on the TV. Oh, and William Hague might or might not be gay. Who cares, British news media? They did eventually get round to reporting the story 24 hours later (when they had some nice pictures to show), but it was hardly breaking news by then.

Fortunately, the blogging community is far better at reporting current events. Many thanks to The Sagittarian for her updates. Best wishes to her and any other Kiwis who may be reading this.



Saturday, 4 September 2010

Morrissey Does It Again... But Does What Exactly?



Defending Morrissey against accusations of racism sometimes feels like being a holocaust denier. Except... context is everything.

It should have been cause for celebration. Two of my greatest heroes in conversation. Marsden poet and part time Scaremonger Simon Armitage interviews Morrissey - my idea of bliss! But then it all turned sour due to another of those incendiary remarks that always get Morrissey in trouble and fuel the fire of his detractors and all those who believe he's a racist.

Whatever you believe about Morrissey and his outspoken opinions, this blogpost won't change your mind. I'm wasting my time even typing it. But as one of Moz's biggest fans, there's a part of me feels I can't stay silent when he does something like this. Doing so while continuing my vociferous support of his work may indeed seem like tacit agreement with his supposed racist opinions. And so I granted a rare interview of my own...



"OK, Rol, let's get right to it. Do you think Morrissey, your Number One Musical Hero, the artist you believe has spoken more about 'your life' in his lyrics than any other, the 'pop star' you consider the most quotable of his - or any other - generation... do you think Morrissey is a racist?"

"No. I think Morrissey is a misanthrope. As a partial misanthrope myself, I recognise that in him. (Normally I wouldn't use the word 'partial' to describe my own misanthropy, yet compared with Morrissey... I'm an idealistic humanitarian.) Morrissey takes misanthropy to levels even I occasionally find... extreme. But I'm sure he feels entitled to think that way, and why should I care if he does? Sometimes I feel bad for him, but I don't condemn him for it."

"Yeah, yeah, but you're getting off the point. You really think when he says the Chinese are a 'subspecies' for the way they treat animals... he's not being racist? Really?"


"Oh boy, where do I start? Firstly, whatever else you might think of Morrissey, I can tell you one thing unequivocally... if you think he's stupid: you're wrong. A remark like that, with his reputation, he'd have to be a complete idiot to say something like that and not know that it'd kick up a shitstorm."

"So why say it?"

"Well, it's no secret that Morrissey is someone who has more sympathy for animals than his fellow human beings. This is the songwriter who gave us Meat Is Murder, who is a vocal supporter of extreme animal rights activism, who refuses to perform at any venue that even allows meat on the premises while he's there. Now it appears he's got a bee in his bonnet about China's record on animal welfare. And he's got an interview with a major UK newspaper. And he knows that merely saying "I don't like the way the Chinese treat cats and dogs" as part of that interview won't be enough to make the headlines he feels this issue deserves. So he chooses far more controversial words, words that he knows will guarantee headlines and a stink. He doesn't care if a few more people hate Morrissey as a result of those comments - he long since gave up caring how many people hate Morrissey. But if one more person is made aware of a subject he feels passionately about... if one more voice is raised in protest as a result of his comments... then in Morrissey's mind, it'll all be worth while."

"But... 'sub-species'... isn't that verging on the kind of language Nazis would use?"

"Do you know what? I think if Morrissey ever met me, he'd think I was a subspecies too. I had a bacon sandwich for my lunch, I'm having chicken for tea. I already know he thinks I'm a murderer. I'm certain he'd rather I died than one more pig or chicken. He feels that strongly about vegetarianism and animal rights. Anyone who doesn't agree with him, I'm sure he reckons they're a lesser form of life. I'm not losing any sleep over that. I grew up on a farm where animals were sent to market every few months and turkeys had their necks wrung at Christmas. I am his enemy. Compared with Morrissey's 'higher' ideals, I probably am a sub-species. I don't agree with him, but I respect his right to speak out about something he feels so very passionately about."

"But after every other such remark he's made in the past..."

"All of which are a matter of context. Ignorant people complained that Asian Rut or National Front Disco were racist songs, when I consider them outsider anthems. Just as November Spawned A Monster looked at negative attitudes towards the handicapped. Controversial, yes... bigoted? I'm sorry, I just don't see it."

"There are many who would disagree with you about that..."

"There are many who would disagree with me about all kinds of things. And I don't expect to change their opinions any more than I expect them to change mine."

"So basically, nothing Morrissey says will make you think ill of him? He can do no wrong in your rose-tinted fan-worship sunglasses?"

"No. He can do wrong. He has. Do I wish he hadn't used the words he used in that interview? Absolutely. Because, whatever his motivation, his carefully considered choice of language won't change anything, all it does is give the anti-Morrissey lobby another stick to beat him with. But just like Simon Armitage, it doesn't change how I feel about him as an artist."

"Because you don't believe he's a racist."

"Because I don't believe he's a racist."

"But if you did...?"

"If I did believe he was a racist, would it change how I felt about his music and his art? No. It'd change how I felt about him as a person, but it wouldn't stop me loving There Is A Light That Never Goes Out or Every Day Is Like Sunday or First Of The Gang To Die. Here's a question for you... Does that make me a racist?"


Friday, 3 September 2010

Friday Flash - Highway Hypnosis



I went seriously over-budget on this week's #fridayflash short story, for which I can only apologise. But a self-imposed limit of 1000 words only takes you so far, and rules are there for breaking. This one's for anyone who doesn't remember their journey home from tonight... I hope you enjoy it.




Highway Hypnosis



They call it ‘highway hypnosis’. You’ve probably experienced it yourself. You set off driving on a route you’ve taken dozens if not hundreds of times before and before you know it you’ve arrived. Except you don’t remember a single thing about the journey. Not the people you’ve passed nor the landmarks, none of the shops, offices, parks, animals, billboard advertisements, not even the other motorists who make driving so unpleasant. Maybe one of the songs you heard on the radio is still tickling your mind, but you don’t recall listening to it or singing along, you certainly don’t remember hearing the DJ introduce it. It’s all just a blank.

You don’t even remember the people you killed along the way.

My journey home takes 45 minutes in rush hour. It’d be an hour if I took the main road, but I’ve learnt the back routes now. Rat runs, Rachel calls them. Rachel works five minutes from home, she isn’t trapped in her car surrounded by morons for two hours every day. Up past the scrap yard, left into the housing estate with the speed bumps, cut through the traffic lights at the supermarket, up the hill past the cemetery, left round the back of the Fox & Hound, then… you don’t need to know all this. All you need to know is where the bodies were found.



The first was last Tuesday. By the gasworks. Happened round ten to six, they said on the news. Hit and run. The police were appealing for witnesses because nobody‘d seen a thing. Some teenager in a hoodie and a baseball cap. Why would you wear both?

“They didn’t say anything about what he was wearing,” said Rachel. She was taking off her face in the mirror. “How did you…?”

“I must have seen him,” I said, scratching the back of my head. “Ten to six…? I probably passed him just before it happened.”

“Maybe you should call the police. If you saw something…”

“What? I don’t even remember. I mean, I have an idea what he was wearing – but I don’t know where I saw him or even if… it might have been somebody else entirely. It probably was. I certainly didn’t see him run over…”

What I did remember was that same kid throwing a snowball at my car three weeks earlier. Nearly smashed the windscreen. But how did I know it was the same kid? How was I so sure?



The following evening I snapped out of my trance long enough to register the portable POLICE: ACCIDENT sign standing on the pavement. I started thinking back, trying to remember something besides the hoodie and the baseball cap, and the next thing I knew I was pulling up outside the house.

“There’s been another one,” Rachel shouted down from the bedroom later. She was watching the portable telly while she worked out.

“Another what?” I shouted back. I was playing Halo on the X-box. I could have done without the interruption.

“Hit and run. Just round the corner, by the offie – ten past six. Some old bloke walking his dog. The dog was alright, but…” She came downstairs in her exercise gear, sweat shining her forehead. When I saw the look she gave me, I almost lost a life. “Just before you got home…”

“What?” I paused the game. “You think I did it? I’ve turned into some kill-crazy lunatic who’s cutting down pedestrians in my rush to get home and have my fish fingers? Really?”

“No,” she said, squeezing into the lazy boy and folding her legs over mine. “What I think is, maybe you ought to be careful – that’s all. If there’s some nutter out there…”

I didn’t hear the rest. I’d just remembered what sort of dog it was. A Red Setter. My old physics teacher, Mr. Beaumont, he’d had that dog since he retired. I hoped he treated it better than he did his pupils.



By Monday, I was starting to panic. I’d tried staying alert on Thursday and Friday, but it was impossible. You’ll know what I mean if you do the same journey every night. It was partly boredom, partly all the work shit swimming round in my head, partly the fact that I hadn’t got a wink of sleep. I kept thinking about the Audi driver who’d been forced off the bridge onto the railway tracks, and the traffic warden who’d been run down then reversed over repeatedly to finish the job. I could see their faces in my mind. I recognised them both from my past, but beyond that: nothing. Still no witnesses either – even though the traffic warden died on a crowded high street, right outside the chemists. Nobody saw or remembered a thing. That night, it happened again. Eddie Gibson walked out of The Red Lion and under a car that never even slowed. A gaggle of smokers outside the pub, yet none of them saw anything. Eddie Gibson was Rachel’s ex-husband. She was shocked when she heard, but couldn’t pretend she was sorry. The bruises might have faded, the memories never would.



So now it’s Tuesday, and while I’m topping up my wiper fluid after work, I notice the dents in my bumper. The cracks in my number plate. The scrapes of black and spots of crimson. I try rubbing them off with my sleeve. There’s a sticky patch with hair and little white chips… pebbles? They must be pebbles.

“Still here, Robert? Scared of driving home in case the Rat Run Exterminator gets you? Wooo!” Darren Armitage: works in accounts, biggest knob in the building, proud of it. “Follow me if you like – I’ll protect you!”

Normally I’d tell him exactly where to get off, but not tonight. Tonight I don’t even acknowledge him. I'm not aware of getting in my car. I'm not aware of starting the engine or screeching out of the car park. The next thing I know for sure is the roadblock. Four incidents in as many days, the police aren’t taking any more chances. They’re stopping every car. Questioning every driver. I see Darren pulled over up ahead, and I wind down my window to listen.

“Do you drive this route every night, sir? Have you noticed anything suspicious? Anyone driving erratically or even dangerously…? Think hard now, people’s lives are at stake.”

It was the questions they didn’t ask that worried me more. While one officer questioned Darren, another inspected his car. I knew exactly what they were looking for. Exactly what they’d find, soon as they got to me. Why hadn’t I turned round and gone back the other way while I still had the chance?

“Sir?” Suddenly I’m at the front of the queue and I don’t know how I got here. I’m waiting for the policeman to start with the questions when I realise he’s already finished. His colleague gives him another nod. It’s all over. “You can drive on now, sir.”

“Th… thank you, officer.” How could they be letting me go? How could they not have seen…?

I don’t stick around for answers. I floor the accelerator and I’m home before I know it. I get out of the car and dash into the house to fill a bucket in the sink. Wash the evidence away. I got lucky one time, there’s no way I’ll get away with it again. I run back out, slopping soapy water down my trouser leg, and that’s when I notice the damage. The front of the car's all smashed up. Radiator concertinaed into the engine block. Far worse than the scratches I'd seen earlier – amazing it would still drive. I try to think back, but all I remember is the roadblock. The police letting me go. After that… nothing till I arrived home. Not a thing…

“What’s wrong with you?” It’s Rachel. I hadn’t heard her. She’s parked in front of me. She stares down at where I’m sitting in the road.

“The car…” I try to say, “the car…”

“What’s wrong with it?”

I stare back. I can feel the tears running down my cheeks. Can’t she see?

“Well, I suppose it could use a wash, but it’s hardly worth getting upset about…”

And that’s when I finally twig. My highway hypnosis – it doesn’t just affect me. It affects everyone.

We hear about Darren later that night. Flattened into a brick wall in his Merc while an off-duty policeman stood watching. A professional eye witness who neither remembers what he saw nor can possibly explain how it happened.


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