Monday, 29 November 2010

Read These Comics Now!





I reviewed the first half of this book back in February when writer / artist Tommie Kelly released the Electric Ladyland compilation, collecting the early appearances of Jim Soundman and friends from the Road Crew webcomic.

The Complete Road Crew is twice that comic, following our hero where few slacker roadies have ever dared go before... including heaven, hell, outer space, The X-Factor, and... the recording studio. Can Jim produce the debut album of George In India (aka the support band) with little more than a rudimentary 4 track and the ability to shout at drummers? How hard can it really be?

Sex, drugs, rock 'n' roll and plenty of laughs... this comic has it all. And for anyone who ever dreamed about going on the road with their favourite band... just ask Jim Soundman. He'll probably tell you not to bother. It's too much like hard work.

Read more Road Crew and buy the complete collection here.



Martin Eden's gay superheroes comic Spandex reaches its third issue this month, and this really is the best yet. Up till now, Spandex has been loads of fun with its pink ninjas and 50 foot lesbians, but Martin's been playing it mostly for laughs, with the odd splash of drama thrown in to keep us on our toes. Fans of Martin's previous book, The O Men, will know that comedy is just one of his many talents - he's an all round entertainer, which he proves to the full in Spandex #3 with a emotional action horror rollercoaster that deals quite wonderfully with the thorny subject of depression, and how we handle it.

The colourful world of Spandex has been turned grey by an alien monster called Nadir who has taken all the fun out of being alive and forced us all into working 12 hour days, 7 days a week. If you live for the weekend, you might as well call it a day. Fortunately, a small group of heroes survive and resist the influence of Nadir, though one by one they are slowly falling victim to the torpor.

Till now, the characters in Spandex have largely been defined by their sexuality, but three issues in Martin has wisely broadened the book's scope. These aren't gay superheroes any more, they're superheroes who happen to be gay. Anything's possible now... and I'm really looking forward to seeing where he takes these wonderful characters next.

See for yourself by visiting Martin's website where Spandex is available to buy both as print comic and pdf.


Friday, 26 November 2010

Friday Flash - At Last, The Sex Scene!


This week's #fridayflash almost didn't happen. It's pure genre hokum, and I almost gave up on it at the last minute. But maybe it's not completely hopeless. I'm sure you'll read it anyway. If only because of the title.


At Last, The Sex Scene!



At last – the sex scene! This was the only reason Simon had taken this stupid part in the first place. It was one of the worst scripts he’d ever read, but the chance of a little bump and grind – even softcore pretend – with Annalisa Beaujolais, that was too good to pass up. Particularly if the rumours were true. While most actors hated taking their clothes off on a freezing soundstage and simulating passion with strips of flesh coloured tape strapped over their modesty and a full crew looking on, picking their noses and scratching their balls, legend had it that Annalisa Beaujolais reacted quite differently. That she became both aroused and frustrated in equal measure, and would often require the scene to re-enacted soon after, in either her trailer or hotel room, without the interference of directors and soundmen. This was exactly why he'd become an actor in the first place - how else would a thick lad from Stockport, even a prettyboy like him, ever get to sleep with someone as gorgeous as Annalisa Beaujolais? This was the best job in the world.

Today Simon was playing Dr. Gregory Chappaquiddick, a criminal profiler brought in by the San Francisco PD to help crack a series of bizarre ritual murders. Paired with tough, no-nonsense homicide detective Kate Connors, the unlikely duo struggled to deny the undeniable magnetism that developed between them and concentrate instead on the case at hand... but passion soon got the better of them. All of which led to the scene they were about to film wherein Det. Kate revealed what policewomen really wore under their plain clothes (nothing plain about it) and Dr. Greg took great pleasure in examining her, in forensic detail.

“So,” said Annalisa with a wink, when she finally emerged from her trailer ten minutes after the call, “you ready for this, Britpop?”

It was her cute little nickname for him. Annalisa Beaujolais had a cute little nickname… for him! Oh, this was going to be so good.

“Right, guys,” said the director, “I don’t think I really need to tell you what to do in this scene.” The truth was, he hadn’t actually told them what to do in any scene thus far. He’d obviously been given clear “don’t forget who the star is” instructions by the studio. Annalisa was calling the shots here. Everyone else just did what they told. Not that Simon had any problem with that.

And so he followed one of Hollywood’s Top Three actresses onto the hotel room set and stood before her in front of a window showing a fake San Francisco skyline. They were actually in a warehouse in Burbank. Where else?

“How do you like it?” Simon said, giving her a look he’d pre-loaded with suggestion.

“Rough,” Annalisa smiled back. “Hard. Nasty.”

“Should I tear?” he asked, tugging her blouse forward to grant himself a brief glimpse of the treats to come.

“Rip. Tear. Bite. Scratch,” she replied, but without the tease. Businesslike. You had to admire that. “The way I see it, these characters... they’re obsessed with their jobs. They don’t do this sort of thing very often. They’re repressed. Pent up. Ready to just… explode. Plus, they’re surrounded by violence in their working lives. That’s got to bleed through into their… I think what we should be going for here is Jack and Jessica in Postman. It’s not full-on Basic Instinct, but... well, you’ve read the script.”

Oh. Yeah, Simon thought. The characters. The script. He knew there was something…

And so the effete director called ‘action’ and Simon did his best to recall the lines that took him where he wanted to be. “I’ve seen too much, Kate… it makes me sick inside… sometimes I just want to feel something… some emotion beyond the horror… the repulsion… I just need to…”

That’s when she kissed him. Just like it said in the script. Hard and clumsy and like a pan of milk boiling over on the stove. The kiss went all the way through him, he shuddered with it, and when he looked into Annalisa's eyes he saw something there, something he’d dreamed about: he saw what she wanted. She was in charge here, not him, certainly not the director, and she didn’t want to wait till later. She wanted to do this now. To create one of those scenes that went down in celluloid history, one of those scenes that got everyone talking. How did they make it look so real? Could it be because they were actually doing it? Like Donald Sutherland and Julie Christie, audiences would be wondering about this scene for years to come, and only the people in this room would ever know for sure. Think what that could do for his career… though it wasn’t his career he was thinking about as he tore off her blouse. And it certainly wasn’t the script. It was just this moment. This moment where one of the most beautiful women in the world was unbuckling his belt. This moment where he was kissing her stunning, only slightly augmented breasts. This moment where the acting stopped and everything became real.



He opened his eyes and the first thing he saw was Annalisa's hair on the pillow beside him. He sat up with a start. Had he really fallen asleep - on set? He looked around, expecting to see the crew laughing or giving him the thumbs up, but no one else was there. They’d taken their gear with them too. And the rest of the soundstage. No. No, they hadn’t taken anything… this wasn’t… he wasn't in Burbank anymore. He was somewhere else entirely. An actual hotel room. The fake backdrop of San Francisco through the hotel window: it wasn’t fake. He could see a plane flying over the bridge, a skywriter, and then a pigeon landed on the windowsill and began pecking at the glass.

“Shit!” He jumped out of the bed. “Shit!” he said again, loud enough to wake Annalisa.

“What is it?” she asked, sitting up with the sheet modestly held over her breasts. The way they did in movies. “Are you OK?”

“We’re in San Francisco!” he said, opening the window as far as it’d go and scaring away the pigeon. He could see cars on the bridge and small boats in the bay. Yachts. He could see yachts.

“Where else would we be?” she said, getting out of bed with the sheet still wrapped round her – just like they did in the movies - and coming over to join him at the window.

“I’ve never been to San Francisco in my life!” he shouted. God, what had happened? What had he taken? The last thing he remembered was the shoot. The sex scene. He didn’t even remember leaving the set. Anything they’d done after that… whatever she’d got him to do, take, experience… it was all gone. Damn it, he’d been away on some insane night of debauchery with Annalisa Beaujolais and he couldn’t remember any of it!

“What are you talking about?” she said, stroking his arm, trying to keep him calm. “You’ve been working here three weeks now. We called you in to help on the Baphomet case – the serial killer – don’t you remember? Greg?”

“Don’t call me…” He stepped away from her and banged his shoulder on the wall-mounted TV. “What is this? Method? I don’t do method, Annalisa. I just turn up and read the lines, then clock off at the end of the shoot. I’m sorry if that’s something you… but can we stop it now? This is freaking me out.”

“Greg, please,” she said, “please try to stay calm.” The worry on her face, he couldn’t deny it, it was a truly great performance. “Just take a deep breath and think. Oh god, I knew something like this would happen. The way you were last night… this case, it's really gotten to you, hasn’t it? And here’s me, taking advantage of that, getting my rocks off while you’re… Oh, Greg, what have I done?”

“Stop calling me Greg!" he screamed, backing away from her again. "I’m not... I'm Simon McQuarrie! I’m just an actor. Like you – OK, not like you, I mean you’re Annalisa Beaujolais, you’re like… like…” He suddenly realised he wasn’t wearing any clothes and grabbed a pair of crumpled pants from the floor, kicking his legs into them while he looked around the room for something, anything to anchor him to the reality he knew.

“I’m Kate, Greg, Kate Connors… We met three weeks ago in the Commissioner’s office, don't you--“

In the back of his pants, Simon could feel the weight of a wallet. His wallet. He grabbed it and pulled it out with a hammy “a-ha!” He was past caring about his reputation as a thespian. “See?” He said, flicking it open and holding it out before her. “Pick a card – pick any card! Check my driver’s license! Check—”

Her eyes said it all. He took back the wallet and saw for himself. Dr. G. W. Chappaquiddick. “Oh come on – come on, what is this? Am I being punk’d or—“

But the expression on her face said not. Annalisa was a pretty good actress… but not that good. She actually looked a little scared… and then he remembered the script. How after sleeping with him, Det. Kate Connors made a disturbing discovery about her new lover. He couldn’t remember the exact details – in truth, he’d only really skimmed the scenes he wasn’t in – but it was something like an old typewriter in the wardrobe or an ice pick in the bedside table or…

Could the man she’d just slept with also be the killer they were hunting?

Over in the corner, on the dressing table, there was his laptop. Dr. Greg Chappaquiddick’s laptop. Just a prop when he’d seen it on the soundstage, but real enough now. It didn't matter. All this could soon be put to rest by the internet.

“What are you doing?” said Kate – Annalisa – behind him. She sounded scared now. Her character – her character sounded scared.

“I’m gonna prove to you this is all bullshit is what I’m… IMDb doesn’t lie, babe.” He typed in his name and hit return. No exact matches. The database made its suggestions.

(Approx Matches)
Simon Curry.
Simon Carriere.
Christina McQuarrie.
Christopher McQuarrie.

“No. No!” Whoever was doing this, they were taking it way too far. But he could still catch them out. He typed in her name now. Annalisa Beaujolais. His fingers stamping on the keyboard. Return.

(Approx Matches)
Roxy Beaujolais.
Annalisa Chamberlain.

“Greg…” said the woman behind him, “please…”

Fathomsby! he thought. The film that brought him here in the first place. Just a small budget Anglo-French production, Channel 4 Films and Studio Canal, but it was the one that got him noticed by Hollywood. Yeah, they might have somehow taken down a couple of the profile pages, but every film he’d ever appeared him? Would they really expect him to check them all?

The woman was putting on her clothes. She’d dropped the sheet onto the bed. For a moment she was naked, but he didn’t even glance her way.

“There!” he cried, finding the entry he’d been looking for. “Fathomsby! See! You’re not as smart as you…”

Colin Farrell.

The lead actor in Fathomsby was listed as Colin Farrell. Colin bastard Farrell – and according to this, he'd won an Oscar for it too! Simon hadn’t even been bloody nominated! No - this couldn't be happening!

"I'm Simon McQuarrie! I'm not - I'm not some crazed serial killer masquerading as a police... investigator... specialist... thingy. I'm Simon fucking McQuarrie! I played Hamlet at the Vic!"

“Greg… Please… I think you need to come with me now." Along with her clothes, Kate had picked up her gun in its holster. Only it wasn't in its holster any more. It was in her hand. In her hand, and pointing at him. "We can talk about this down the station. We can get you the help you need."

Simon wanted to protest but there was nothing left to say. Because the acting had stopped now, and everything was real.


Thursday, 25 November 2010

Top Twenty Train Songs


I know, it's been a while. You've been getting Top Ten withdrawal, haven't you? To make up for it, here's 20 songs about trains. Because there's a new Denzel Washington movie out this week where the train don't stop for nobody... or something. It's got Captain Kirk in it too (no, not The Shat). I might have to go watch that...



20. The Doobie Bros - Long Train Running

Likely to be the first and last time the Doobie Brothers appear in one of my lists, unless I do a What A Fool Believes Top Ten.

19. Whistler - Don't Jump In Front Of My Train

A wistful indie gem from the mid-90s, dedicated to all of you who have been held up on your way home by some selfish suicide...

18. ELO - Last Train To London

Considering my love for all things Electric, Light and Orchestral, this should be higher in the list. Unfortunately it suffered a little overkill in my head between 15 and 20 years ago when "the radio" decided it was one of the best testing oldies ever and subsequently played it three times an hour for about 6 months nonstop.

17. Johnny Cash - Hey Porter

You can't help but think it was a simpler, better world when Johnny Cash began writing songs back in the early 50s. You know, when train companies paid someone to help you with your bags...

See also Rock Island Line, Orange Blossom Special, and a bunch of other Man In Black songs I don't have time to link to.

16. Thea Gilmore - Don't Set Foot Over The Railway Tracks

Sadly, one of Thea Gilmore's greatest songs can't be found anywhere online for me to point you to. It's available on her album Songs From The Gutter though, and well worth tracking down.

Don't set foot
Over the railway track
The Heathens and the spin-doctors
Are waiting round the back
The skies are always sullen and
Rain races to the tarmac
So don't set foot
Over the railway track

Don't set foot
Over the railway track
The grass isn't green its yellow
And the pavement is all cracks
The graveyard's in a coma
The church has got the blues
And Jesus has a nose-ring
And Mary has tattoos

Girls paint their skins like corpses
And have hair of scouring wire
And the men all look like demons
See them dancing round their fires
Every door has leprosy
Every house has got the clap
So don't set foot
Over the railway track

15. The O'Jays - Love Train

A prime slab of Philly cheese.

14. Bruce Springsteen - Downbound Train

You should have realised by now... if these lists don't contain a Morrissey track, they must by law feature The Boss. If you don't like it, you know where the Next Blog button is.

13. Gordon Lightfoot - Canadian Railroad Trilogy

A true story of blood, sweat and tears. Songwriting as history lesson - if my history teacher had sounded like Gordon Lightfoot, I wouldn't have dropped it at the end of the Third Year.

12. Dan Le Sac Vs. Scroobius Pip - Last Train Home

In which the beardy rapper finds himself on the last train home, surrounded by people who are "either stinking of weed or stinking of beer, being loud and obscene or sitting in tears". No wonder he doesn't want to be there.

11. The Monkees - Last Train To Clarksville

I'll meet you at the station... for our last bit of nookie before they ship me off to war.

10. Soul Asylum - Runaway Train

I'll play this one for Tony McGee, the biggest Soul Asylum fan I know.

9. The Cure - Jumping Someone Else's Train

Don't say what you mean
You might spoil your face

8. Spearmint - The Train

Shirley Lee's observational tale will be familiar to most commuters...

Everybody runs down the steps in case the train is coming
They didn't run when they left their houses
Didn't run along the street or down the escalators
Just for this very last bit

As the train arrives they start to walk along the platform
As though it might just go right past
As though today it might be too short

People crowd around the doors, initially letting people get off
But soon pressing forward
Even though there are empty seats they push anxiously
As though the doors may close before they manage to get on

A man insists that people should "move down, please!"
He does this in a haughty and petulant manner
But he's the same man who didn't move down the other day
I see him often

And just as the door is closing, and as the beeper's beeping
A man with a backpack hurls himself in
His rucksack gets trapped between the closing doors
He struggles, the doors re-open, and he stumbles into the carriage
Embarrassed and relieved
People look disapproving
"How selfish," they think
Some look away, but each of them has done the same at some point in the past

Some people are reading newspapers
Many seem transfixed by the newspaper of the person next to them
And are snatching covert glances
Even if they have the same paper themselves

Several people are reading novels
You can tell what the latest bestsellers are
Just by looking down the carriage...

And that's when the story really begins.

7. Gladys Knight & The Pips - Midnight Train To Georgia

I never realised just how sad this song is until I heard the Neil Diamond version.

6. Elvis Presley - Mystery Train

I love the illiterate arguments people have on youtube...

The words to the song is : Train I ride , sixteen coaches long NOT Train arrive ..... At least if you are gonna put up info on the record at least get it right ........

THANQ a lotttt for ur info but this is not my problem, It's the lyric 's web site problem ,and The English not my 1st language ,I just love the King and adore this song u should thank me and say good word .

5. Stephen Duffy & The Lilac Time - The Girl Who Waves At Trains

You're as welcome as a Christmas rose
Like a shotgun in a field of crows
As breathless as my fifth form prose

Stephen, I hate to pick, but how welcome is that shotgun if you're a crow?

4. Elbow - Station Approach

Guy Garvey describes the uplifting emotion of returning to your hometown by train after a long time away...

The streets are full of Goths and Greeks
I haven't seen my mum for weeks
But coming home I feel like I
Designed these buildings I walk by

This song also wins through the typical Garvey compliment, "You little sod, I love your eyes". What an old romantic he is.

3. Paul Simon - Train In The Distance

Everybody loves the sound of a train in the distance
Everybody thinks it's true

One of the best songs Paul Simon ever wrote.

2. Ocean Colour Scene - The Day We Caught The Train

Say what you want about Britpop, say what you want about Ocean Colour Scene... but this is a gorgeous blast of euphoric, picture-painting singalong pop that I'll never grow tired of. Could have been Number One but I bottled it...

1. The Jam - Down In The Tube Station At Midnight

Weller used to be such a great storyteller. Why doesn't he tell stories like this anymore?



So... which train did I miss?


Wednesday, 24 November 2010

Mute Witness



I picked this up because it's a while since I've read any US detective fiction. It's a long time since I saw the Steve McQueen movie and all I really remember is the car chase. Imagine my surprise when I discovered that the novel had originally been published under a completely different title - one that satisfies my Morrissey obsessions to boot.

It's not only the title that changed in transition from page to screen. New York became San Francisco and the Irish cop hero Lieutenant Clancy became the far more Hollywood Frank Bullitt, a name so hard it spits nails in your eyes even before you picture Steve McQueen in the role. Actually, the hero of the novel is a little more cerebral. He's not really a tough guy and the only real battles he fights are against the politicians and bureaucrats who seek to make his job far more difficult than it ought to be. (More power to him!) He's a thinker who puzzles his way through a complex cover up despite some tricky red herrings and genuinely surprising plot twists. Mute Witness delivers exactly what you want from a crime novel and at under 200 pages doesn't outstay its welcome either. It's faster than most car chases...



Tuesday, 23 November 2010

Thoughtballoons - The 6 Month Anniversary


Hard to believe, but we've been at this Thoughtballoons malarkey six whole months now. Every week we choose a new comics character and write a one page script about them. There are six regular writers so that usually equates to a new script every day. It's been a blast - and we're just getting started.

To celebrate our first half-anniversary, we decided on a little interview meme between the writers. My answers are below... pop over to the site to read what the other guys thought.



Who is your favourite comic character?

Peter Parker, the spectacular, amazing, sensational Spider-Man. I explained why when I chose him as my first Thoughtballoons pick. The only problem is I don't get to pick him again...

What is your favourite comic?

That would have to be Amazing Spider-Man too. I've been a Marvel junkie for over 30 years and have a lot of time for all the classic Lee / Kirby / Ditko creations, when handled correctly. I've dallied with DC - favourites being the Giffen DeMatteis JLI and Grant Morrison's Animal Man and Doom Patrol - though the only DC character I've stuck with through thick and thin is John Constantine, Hellblazer. Favourite comics outside the mainstream have included Cerebus (before Dave Sim went bonkers), Phonogram and anything by Adrian Tomine.

Hey, I'd have just give you a 3 word answer, but that's not everybody else is doing, now is it?

Who is your favourite comic writer?

Grant Morrison, JM DeMatteis, Peter David, Brian K Vaughan, Mark Waid, Ed Brubaker, Roger Stern, Warren Ellis and Peter Milligan have all distinguished themselves in my eyes, among many others. Not forgetting Stan Lee, of course, without whom this world would be a much poorer place.

Who has been the most fun to write so far in 26 weeks of thoughtballoons?

The obvious answer is Spidey, but the pressure was on for that and I ended up feeling a little self-conscious. My other two choices were John Constantine and Ben Grimm, and I had loads of fun with both... though having gotten my Holy Trinity of Comics Characters out of the way, I'm having a devil of a time deciding who to pick next time it's my shout.

Other than those, the most fun were Machine Man, Gamora and Ash. Although I had got Gamora completely mixed up with Nebula. I'm not sure anybody noticed.

Which character do you most dread having to write?

Loath though I am to fall in line with my peers, I have a real problem with Green Lantern too. I'm not good with intergalactic characters and the whole "green ring that can do absolutely anything unless there's yellow involved" has always seemed like one of those dopey concepts that would have been best left in the Silver Age. Plus, despite reading GL for a number of years in my younger days, I never liked Hal Jordan. I could just about squeeze out a Guy Gardener script... or G'Nort. G'Nort would be fun. I bet he's dead now, isn't he?

Which non-comics character would you most like to write?

My favourite fictional character who's not been bitten by a radioactive spider is Detective Andy Sipowicz from NYPD Blue. A complex, multi-layered, extremely tragic hero with any number of achilles heels... who just happens to hate most of the people he meets on a daily basis... but still tries to do well by them. And if Andy was taken, I'd choose Gregory House MD for many of the same reasons.

Which script do you think has been your best so far?

I was pleased to fit an entire locked room mystery into one (admittedly crowded) page in my Blonde Phantom story. Max Allan Collins would have done it better though. And I had loads of fun pitching Mr. Mxyzptlk against Zatanna. But the one I'm most proud of so far would be my John Constantine yarn. It was hard as hell capturing everything I love about that bastard mage on just one page, but I gave it my best shot.

Worst by far was my Daredevil offering, for which I won't even provide a link. Such a great character, and I threw away my chance on a dumb fat bloke gag. What an idiot!

Which script in total do you think has been the best on the site?

Let's see...

Ryan's Mephisto page sticks in my mind as a really clever concept and I'd have loved to see where his Daredevil story went next.

Ben's Spider-Man script really came from the heart and his Rick Grimes tale was a simple idea, perfectly executed.

Matt's John Constantine page was ripe for development and I only just discovered his Thing story (somehow I missed it first time round) and it's bloody marvellous.

Max consistently wins the prize for most inspired story titles. Noir As Heck and Boys Are Stupid, Throw Grappling Hooks At Them are just two that somehow live up to their seemingly impossible promise.

Simon's John Constantine script played like the teaser for a TV series I'd have sold my soul to watch and he writes a mean Damien Wayne too (albeit in Renee Montoya's script).

Brandon hasn't been around half as much as I'd have liked given the quality of his Mephisto page (among others).

And finally, Danial dazzled us so much from the comment box trenches he was an obvious call when a frontline vacancy came up. I look forward to reading more from him, especially if they're as strong as his Casanova Quinn offering.

What - I was only supposed to pick one? Says who?

OK, is that everything? Thank you. Now go read my Rick Grimes (from The Walking Dead) script. You know you want to...



Monday, 22 November 2010

More Than 6?


Both Vicus and Dan tagged me with this one. They both knew it's the kind of meme I couldn't resist. I can tell you before I even start that Vicus scored much higher than me... but then, he is much older...

Have you read more than 6 of these books? The BBC believes most people will have read only 6 of the 100 books listed here.

I can't find the BBC article where they make this claim, so I'm taking that on faith.

Instructions: Bold those books you've read in their entirety, italicize the ones you started but didn't finish or read an excerpt. Tag other book nerds.

Unfortunately, bold doesn't really show up on the blog format I use nowadays, so I highlighted the books I've read with a spurious link. Don't click on the link, nothing of interest there...

Tag yourself!


1 Pride and Prejudice – Jane Austen

2 The Lord of the Rings – JRR Tolkien

3 Jane Eyre – Charlotte Bronte

4 Harry Potter series – JK Rowling

5 To Kill a Mockingbird – Harper Lee

6 The Bible

7 Wuthering Heights – Emily Bronte

8 Nineteen Eighty Four – George Orwell

9 His Dark Materials – Philip Pullman

10 Great Expectations – Charles Dickens

11 Little Women – Louisa M Alcott

12 Tess of the D’Urbervilles – Thomas Hardy (Unfortunately. I would have given up had I not had to read it for school. Hardy is bloody depressing!)

13 Catch 22 – Joseph Heller

14 Complete Works of Shakespeare (Yeah, right. Much as I love me some Shaky, who the hell's read The Complete Works?)

15 Rebecca – Daphne Du Maurier

16 The Hobbit – JRR Tolkien

17 Birdsong – Sebastian Faulks

18 Catcher in the Rye – JD Salinger

19 The Time Traveller’s Wife – Audrey Niffenegger

20 Middlemarch – George Eliot (See #12, ditto George Eliot.)

21 Gone With The Wind – Margaret Mitchell

22 The Great Gatsby – F Scott Fitzgerald

23 Bleak House – Charles Dickens (See #12 - ditto Dickens, with my usual complaint about his Roger Hargreaves character names.)

24 War and Peace – Leo Tolstoy

25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams

26 Brideshead Revisited – Evelyn Waugh

27 Crime and Punishment – Fyodor Dostoyevsky

28 Grapes of Wrath – John Steinbeck


29 Alice in Wonderland – Lewis Carroll

30 The Wind in the Willows – Kenneth Grahame

31 Anna Karenina – Leo Tolstoy

32 David Copperfield – Charles Dickens

33 Chronicles of Narnia – CS Lewis I am the product of a misspent youth.

34 Emma – Jane Austen

35 Persuasion – Jane Austen

36 The Lion, The Witch and The Wardrobe – CS Lewis Didn't we cover this in #33?

37 The Kite Runner – Khaled Hosseini

38 Captain Corelli’s Mandolin – Louis De Berniere

39 Memoirs of a Geisha – Arthur Golden

40 Winnie the Pooh – AA Milne

41 Animal Farm – George Orwell

42 The Da Vinci Code – Dan Brown

43 One Hundred Years of Solitude – Gabriel Garcia Marquez

44 A Prayer for Owen Meany – John Irving

45 The Woman in White – Wilkie Collins (I really should.)

46 Anne of Green Gables – LM Montgomery

47 Far From The Madding Crowd – Thomas Hardy

48 The Handmaid’s Tale – Margaret Atwood

49 Lord of the Flies – William Golding

50 Atonement – Ian McEwan

51 Life of Pi – Yann Martel

52 Dune – Frank Herbert

53 Cold Comfort Farm – Stella Gibbons

54 Sense and Sensibility – Jane Austen

55 A Suitable Boy – Vikram Seth

56 The Shadow of the Wind – Carlos Ruiz Zafon

57 A Tale Of Two Cities – Charles Dickens

58 Brave New World – Aldous Huxley

59 The Curious Incident of the Dog in the Night-time – Mark Haddon (I didn't like it, but I stuck with it.)

60 Love In The Time Of Cholera – Gabriel Garcia Marquez

61 Of Mice and Men – John Steinbeck

62 Lolita – Vladimir Nabokov

63 The Secret History – Donna Tartt

64 The Lovely Bones – Alice Sebold

65 Count of Monte Cristo – Alexandre Dumas

66 On The Road – Jack Kerouac

67 Jude the Obscure – Thomas Hardy (See #12 and multiply it by infinity.)

68 Bridget Jones’s Diary – Helen Fielding

69 Midnight’s Children – Salman Rushdie

70 Moby Dick – Herman Melville

71 Oliver Twist – Charles Dickens

72 Dracula – Bram Stoker

73 The Secret Garden – Frances Hodgson Burnett

74 Notes From A Small Island – Bill Bryson

75 Ulysses – James Joyce

76 The Bell Jar – Sylvia Plath

77 Swallows and Amazons – Arthur Ransome

78 Germinal – Emile Zola

79 Vanity Fair – William Makepeace Thackeray

80 Possession – AS Byatt

81 A Christmas Carol – Charles Dickens

82 Cloud Atlas – David Mitchell

83 The Color Purple – Alice Walker

84 The Remains of the Day – Kazuo Ishiguro (It's on the shelf, waiting.)

85 Madame Bovary – Gustave Flaubert

86 A Fine Balance – Rohinton Mistry (Never heard of it.)

87 Charlotte’s Web – EB White

88 The Five People You Meet In Heaven – Mitch Albom

89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle I've read some but not all of them.

90 The Faraway Tree Collection – Enid Blyton

91 Heart of Darkness – Joseph Conrad

92 The Little Prince – Antoine De Saint-Exupery

93 The Wasp Factory – Iain Banks

94 Watership Down – Richard Adams

95 A Confederacy of Dunces – John Kennedy Toole

96 A Town Like Alice – Nevil Shute

97 The Three Musketeers – Alexandre Dumas

98 Hamlet – William Shakespeare

99 Charlie and the Chocolate Factory – Roald Dahl (I played Willy Wonka in our school play.)

100 Les Miserables – Victor Hugo

How many's that? 51? Just over half the list. Not bad, I suppose. Better than 6 anyway. Take that, BBC!

It's these small, insignificant victories that keep us away from the gas oven...


Friday, 19 November 2010

Friday Flash - You Can Say Anything You Want On The Internet


Although I didn't exactly plan it that way, this week's #fridayflash story works as a reaction to the whole IAmSpartactus scandal on twitter. Coincidentally, I also owe the massed hivemind of twitter a debt of gratitude for helping me write this. You'd be amazed how many tweets you get back when you ask for a little advice on kidnapping...



You Can Say Anything You Want On The Internet


You can say anything you want on the internet. That’s why Lydia loved it so much. She could say how her boss was a lazy bitch who always parked in the handicapped space because that meant less distance to carry her donuts, which she never shared with anyone else in the office, and which made her backside look increasingly like two hippos wrestling in a tent. Lydia could say this without compunction or any fear of redress because not only could you say anything you wanted on the internet – you could be anyone you wanted too.

Online, she was a completely different woman. She wasn’t meek, mild-mannered Lydia Charles, she was TheLady72: blogger, tweeter and social networker extraordinaire. With more than 4000 followers and over a hundred comments every time she posted, TheLady was witty, insightful and far more gregarious than her alter ego. Her opinions were sought and valued on a wide range of topics – from the perils of working for a tyrannical she-whale with moustache issues... to how to deal with a lazy slob of a husband who never emptied the dishwasher and thought clitoris was an island off the Greek mainland. She wished she could be TheLady all the time, in the real world as well as the virtual, but the consequences were far too grave to consider. Unemployment, divorce, children who hated her even more than her own kids did right now. She wasn’t sure she could do this without a safety net secret identity.

Recently though, she’d been spending more time online than ever before. She’d become a feedback junkie, only truly happy when replying to comments or savouring her retweets. She saw how her hits increased in direct correlation to controversy, and so became ever more outspoken, not just on her personal life (Barry wanted her to dress up as slave girl Leia every Saturday night; The Whale had hit the menopause – hot flushes and moodswings all over the sales office; Tess had been grounded after simulating fellatio with a giant Smarties tube during her best friend’s Sweet 16th) but also on the world outside her window. The government were condemning future generations to a student debt they could never repay… anyone who condoned torture ought to get water-boarded themselves and see how they liked it… who gave a toss about the Royal Wedding?

The more forthright she became, the more she rose up the google rankings, the more her addiction grew. She craved that attention now, it was all she thought about – at work, at home, in bed… whenever she was away from her computer, she hungered to get back online and indulge herself in the world of TheLady…

And then came the abduction. She was leaving the house when they grabbed her, late for work as always. Barry had already gone, taking Tess and Adam to the bus stop on his way. Tigger had coughed up a furball on the kitchen floor and Lydia had been tempted to just leave it, but she knew the kids would trample through it when they came in tonight, and it’d still be waiting when she got home herself. She hadn’t even wanted a cat. TheLady was much more a red setter kind of gal, she reckoned.

They came at her from behind, taking an arm each and pushing her forwards so her cheek grazed the garage wall. She heard the tearing of the tape and tried to scream as they slapped it over her mouth. They bound her wrists behind her back with cable ties. She tried to turn to see their faces but then the sack pulled over her head and she was dragged backwards, down the drive to the road. Where were all the neighbours, why did nobody help? How very typical of our look-the-other-way society – nobody wanted to get involved! She'd have something to say about that. A hand pushed down on the back of her head and she was bundled into a vehicle, some kind of enormous four wheel drive vehicle, she guessed. Suddenly she remembered the post she’d written about how all 4x4 drivers were selfish, planet-raping road hogs. This couldn’t have anything to do with that… could it?

“Mmm-mmm—mmm!?” she screamed through the masking tape. Who are you? “MMm-mm-mmm-mmmmmm-mmm?” Where are you taking me?

“Just shut up and enjoy the ride, lady. You’ll find out soon enough.” It was a man’s voice, from beside her on the back seat. He sounded all gruff and nasty, like Ray Winstone but without the accent. She remembered that post where she’d fantasised over Ray Winstone’s manly hands, concluding she couldn’t let them anywhere near her until he’d some kind of elocution lessons. A bit of rough on the side was one thing – but not if he sounded like a cockney barrow boy! She was a lady, maybe, but not a Chatterly.

Oh. Oh no. "Lady." That’s what he called her. Was it just an expression… or did he actually know? And if he knew… was that what this was about? Was it something she’d blogged? About how the police shouldn’t be allowed to use the sirens on their cars in a residential area unless it was a matter of life or death? How anyone who wore culottes should be hung, drawn and quartered in the street outside Dorothy Perkins? How every parent had a right to know that a sex offender was living anywhere in their town, not just if they moved in on the same street? Or was it something closer to home? Had The Whale been tracking her internet usage at work? Had Barry stumbled across her blog while searching for porn and put two and two together at last? No, no, this couldn’t be personal. Nobody she knew in real life would resort to tactics like these, no matter what she’d written. Her blog was only words… this was serious.

The journey lasted longer than Lydia expected. She could tell by the changing sound of the engine that they were on the motorway now. She didn’t think she’d ever been so frightened, but TheLady kept her from losing it. If I survive this, that voice said, if I come out the other end in one piece… what a story I’ll have to tell! This’ll make the news – the papers, the TV… and they’ll all have to mention my blog. My hits will go through the roof!

So her identity might be compromised in the process... that was OK. She wouldn’t need her stupid old job anymore – she’d be a full time professional blogger! Advertisers would be lining up. And if her family didn’t like it… well, they could either come with her on her bold new adventure or carry on without her. Screw the fear – it wasn’t Lydia Charles bound and gagged in the back of this petrol guzzling monster, it was TheLady72. And TheLady would not be silenced!

At last, the engine slowed and the vehicle pulled to a halt on crunching gravel. Cold air swept into the car and then Lydia was swept out. Her shoes slipped on wet tarmac but the arms held her steady and pushed her forward.

“Mmmmmmmmm!” she screamed through the gag.

“You’re wasting your time now, love,” said gruff Ray. “No one’s gonna help you here.”

A blast of air-conditioned heat came next and then she felt the sack being lifted from her head. She was inside, blinking under artificial lights: the reception of some huge office complex. A thin man with a dark suit and receding hairline stood before her, early 50s, Lydia thought, very official-looking. She turned to see the faces of the men who’d brought her here. The one on the left must be Ray, the other was just a boy. He was a bit of a hunk actually, Ray… though it wasn’t Lydia Charles thinking that. Lydia would have been too busy peeing her pants. The line between real and virtual was blurring more with every passing second.

“Mrs. Charles,” croaked the official, his voice as weedy as his physique, “good to meet you at last.” He waved a hand and Ray reached over to tear off the masking tape. The other man clipped at the cable tie to free her wrists.

“Owwch!” Lydia reached up to touch her smarting lips. Was that blood, or just the last traces of her Clarins Clementine?

“Welcome to HM ID HQ, Saffron Walden branch. I hope you’ll be very happy here.”

“Happy?” said Lydia. “I’ve been kidnapped, manhandled, bound, gagged, denied my civil liberties… and you work for the government?” A plaque on the wall spelled out the initials the man had spoken earlier. Her Majesty’s Internet Division. Knowing this was somehow official made her predicament both better and worse. Better to be up against sinister bureaucracy rather than some unhinged psychotics or terrorist splinter cell. Worse because when your adversary is officialdom, the law is generally on their side… and if it isn’t, what’s to stop them changing it? Still, she was TheLady now. She wasn’t going down without a fight. “I demand to see my solicitor!”

“I’m afraid that won’t be possible just yet, Mrs. Charles," said the G-Man. "Or, perhaps, ever.” He led the way into an office with a huge windowed wall. Beyond lay an enormous, endless office - row after row of computer workstations, as far as the eye could see. The man took a seat and beckoned Lydia to do the same. “In the meantime, we need you to sign some papers regarding the terms of your new employment…”

“New employment?” Lydia was confused but TheLady was incensed. “What are you talking about? I’ve already got a job! Which, I might add, I’m already about two hours late for - thanks to you and your thugs.“

Out of the corner of her eye she caught Ray’s face. He looked almost hurt. She was about to take it back when the official started talking again.

“Don’t you worry about that,” he said, “your previous employer has been made fully aware of your change of circumstances.” He took a folder from his desk and began shuffling contracts.

“Just… just wait a minute,” said Lydia, staring through the window at the open plan office to infinity. Hundreds of heads, possibly even thousands, faces lost below the lines of their pc monitors, each and every one consumed by their work. “Just what are you talking about? What is this job? What am I supposed to…”

“Don’t worry, Mrs. Charles, it’s a job for which you’ve shown yourself to be eminently qualified. I’m sure you won’t have any problem—“

“What – is – it!?”

“Why, you’ll be helping us produce online content, of course. You’ll be blogging, tweeting, Facebooking and tumblring – for a living. Isn’t that what you’ve always wanted?”

“Well,” said Lydia, uncertain whether the flutter in her chest was excitement or terror, "I suppose..."

“The only difference being… from now on you’ll be writing only what we tell you to.”

Lydia felt her jaw drop, but the official had seen it all before. He continued before she had time to protest.

“Mrs. Charles, you seem to have been labouring under a misapprehension, as the public often does, that the world wide web is your own personal speaker’s corner. In fact, that couldn’t be farther from the truth… Here at HM ID HQ, we deal with information... we deal with disinformation... we deal in organised anarchy and carefully fabricated nonconformism. The one thing we don’t deal in… is freedom of speech. You can’t just say anything you want on the internet!”


Wednesday, 17 November 2010

30 Songs - Day 19

Day 19 - A Song From Your Favourite Album

No, I haven't forgotten this meme (well, I had a bit), but I have been struggling somewhat with Day 19. My favourite album? My favourite-favourite album? From when, exactly?

I could happily name my favourite album from the 70s...


My favourite album from the 80s...


My favourite album from the 90s...


Even, at a push, my favourite album from the 00s...


But asking me to choose between them for my favourite album of ALL TIME?

No... I can't.

I just... can't.

Oh, go on then.

If I have to...



But I am liable to change my mind tomorrow...


Tuesday, 16 November 2010

Two Books For Frustrated Creators



Sean Azzopardi's excellent graphic novel Twelve Hour Shift tells a tale familiar to many of us. A story of someone with creative drive and ambition forced to take a soul-sucking, dead-end job to make ends meet. In this case, comic artist Steve Jones finds himself working as a concierge and night porter in a block of luxury residential flats, suffering the slings and arrows of a mithering boss and jaded, lazy, alcoholic colleagues. He gets up before dawn, braves the horrors of public transport, spends his day being abused by clients and co-workers alive, while failing to motivate himself to steal many moments of creative expression along the way, then returns home to a lonely cold-water flat with only his cat for company.

And yet... he keeps going, because writing and drawing those comics means that much to him. It's all he wants to do. And even if he achieves nothing else with his life, better that than denying himself that creative outlet at all.

If you can understand where Steve Jones - and Sean Azzopardi - are coming from, you can share their misery by clicking here. It's much better than going to work.


On the surface, Brian James Freeman's novella The Painted Darkness tells the story of an artist haunted by a terrifying event from his childhood who finds himself having to once again face the monsters living in his cellar. It's been compared by some to Stephen King, which I always think is a kind of lazy shorthand for "horror in a real-world setting", but I couldn't see much of King in Freeman's writing. The story is an extended metaphor about why we're driven to flog ourselves at unappreciated creative endeavours (in Freeman's words, "we're painting against the darkness") dressed up as a perfectly enjoyable little monster-in-the-woodshed thriller. Both moving and gripping, it's a read-in-one-sitting affair that stays with you for all the right reasons.



Monday, 15 November 2010

A Walk In The Autumn Woods


You know how when you get a day off it always rains but when you go back to work the sun shines again?

Last week, the law of sod went in the other direction. Tuesday, it hissed it down. Thursday, there was a storm of biblical proprotions. Wednesday, when I was lucky enough to get a day off, the sun shone on the righteous.

So I went out for a walk in the woods and enjoyed the colours of Autumn... which I shall now share with you here, in lieu of anything more interesting to write about on a Monday.








Friday, 12 November 2010

Friday Flash - Four Feet Under



I didn't get to see the recent Ryan Reynolds movie Buried at the cinema - guess I'll have to wait for it to come out on DVD - but it did remind me of this short story I originally wrote for Elephant Words back in April 2008. Stories about being buried alive go right back to Poe, but I hadn't ever read one about a character who did it voluntarily (unless you count the end of the movie The Vanishing). Why would somebody choose to do that...?

I guess you'll have to read on and find out.





Four Feet Under


It’s just something to do.

I mean, everyone’s taken drugs and stolen a car and shagged someone else’s boyfriend in the middle of Beaumont Park on a wet Saturday afternoon. There’s nothing unusual about robbing fags from the offie, or spray-painting your names on the railway arches, or drinking till you throw up all over a policeman. We all did that when we were 14, and now the little kids are doing it – we have to move on, or we become a joke.

You want to find something unique. Something no-one else has done. Something no-one else has felt. And when you hear that soil falling over your head, tumbling down onto the lid of the box – the patter that becomes a thud that becomes a dull and distant shuffle, then the heavy silence that follows… I can’t describe it, but it’s like nothing else you’ll ever experience.

This is my fifth time now, and it’s been a while. Too long. Like any other buzz, you get withdrawal if you don’t… you get cravings. I know some of the others, Wayne and Lisa in particular, they think maybe we should pack it in. Especially after what happened with Townsey. But I couldn’t give it up. It’s so boring round here, you’ve got to do something or else they might as well plant you for real, a couple more feet down, or burn you up and toss the bits off the top of Stodely Pike. Besides, I still think Townsey’s having us on, trying to shit us up. That’d be just like him. And if we were all to just pussy out now, he’d really have the last laugh, wouldn’t he?

It was Townsey who came up with the idea, at his Uncle Michael’s funeral. Old boy was doing 110, undertaking a lorry on the hard shoulder of the M62 when he sneezed ‘cos the sun was in his eyes and lost control of his Audi. It would have been easier to cremate him, considering how many bits he ended up in, but Uncle Michael had always insisted on being buried, so they pieced him back together best they could, stuffed him in a box, and dropped him in the ground.

“You ever wonder what it must feel like, Jules – to be stuck down there, all that earth on top of you, no way out?”

“I think he’s past noticing,” I said, watching a crow fight with a stick and trying to tune out the vicar’s dull didgeridoo of a voice.

At first I thought maybe Townsey had taken what I said the wrong way, like I was taking the piss out of his Uncle Mike being dead or something – then I recognised that look on his face for what it was. The look he’d had when he used to dare us to run across the tracks when he knew the Intercity was coming; the look he’d had when we stole our old Biology teacher’s 4×4 and drove it into the canal (Wilco tried to get us all expelled, but there was no way he could prove it was us); the look of someone who’d made Rob climb to the top of St. Agnes’ to tie an eight inch dildo onto the weathervane. Some of the crazy things Townsey made us do, they were cool. Others were just stupid. For a long time, I’d gone along with whatever he said. Lately though, I’d started to say. If I thought it was a shit idea, I told him. I reckon he expected me to kick off about this one too… but I didn’t. I saw the potential. Right from the start, I had a feeling. He was onto something here.

“You’re fucking mental!” Turns out Rob was the dissenting voice this time. “Who d’you think you are, David fucking Blaine?” Course, by then it was already way too late to back out, because Townsey had it all planned. The location, the equipment, everything. There was an old cemetery up past Whittaker Woods. They’d filled it up years ago – and I mean years, there wasn’t a stone in that place dated later than 1952, and many of them were so old the date had worn clean off. Townsey had been scouting it out nearly a month before he took us up there.

“There’s a groundskeeper comes up once a week, supposed to keep the place in order, but I’ve watched him and he’s a pisshead. Spends most of his time in that shed down the bottom, smoking some bad-smelling shit and wanking off to the Daily Sport.”

“Eurrrgh” said Lisa, “Townsey!” Like she was all Miss Prim-and-Proper. Like we’d all forgotten how much she got off on standing in the trees on the edge of the dual carriageway and flashing her tits at the lorry drivers, trying to get them to jack-knife. Scrubber.

That’s when Townsey showed us all the stuff in the back of the van. Two spades, a pickaxe, the scuba gear – the box.

“Where the fucking hell d’you get that?” said Rob.

“My Uncle Jason used to dig drainage ditches for that farm up on—“

“Not the pick, you vadge!”

Townsey just grinned. “Well obviously, Robert, I stole it from the undertakers. Security’s a joke in that place.”

“Shouldn’t be,” said Rob, “people are dying to get in there.” Wayne punched him hard on the shoulder, giving him a dead arm. “Ow! Twat!”

“You carried that out all by yourself?” I asked.

Townsey proceeded to explain how Wayne had helped him, but that it was a two-man job and there was no need for the rest of us to know anything about it until the time was right. Wayne confirmed the story, adding that Townsey had also taken the letters ‘M’, ‘M’ and ‘O’ from a floral ‘In Memory’, plucked out the carnations from the top line of the ‘O’ and given them to his mum for her birthday. I didn’t like the idea of him going round behind our backs like that. That wasn’t how we were supposed to work, and Townsey knew it.

“And the scuba tank?” said Lisa.

“My cousin Billy used to dive for England. Haven’t I ever told you?” Townsey was grinning, and that usually meant he was bullshitting, but you never did know. It pissed me off, how he couldn’t ever give you a straight answer to anything. How there was always something else going on in his head that the rest of us were never let in on.

So this was the plan: we’d find an out-of-the-way grave, somewhere out towards the back of the cemetery where the grass was longest and an absence of empty White Lightning cans meant the groundskeeper never ventured; we’d dig down till we struck the top of the coffin originally buried there (none of us wanted to go messing around with corpse crumblings); then we’d lower our box in on top of that. One of us would get in the coffin, with the scuba tank and an old blanket for comfort (there was no debate about who was going first), then the rest would shovel the dirt back over and leave them to it.

“How do you know the air’s going to last you all night?” said Rob, after finishing up his Darth Vader impressions with the respirator mask.

“Research, cockstain – I looked it up on t’internet. You don’t think I’d let you fuckholes bury me alive without knowing exactly what I was getting myself into? Without the tank, you’ve got approximately one hour’s oxygen before you start breathing your own CO2—“

“Fucking hell, Townsey – you sound like Wilco! Next you’re gonna have us dissecting rats or lighting our farts with Bunsen burners—“

“Then we’ve got up to 12 hours breathable air in the tank – bearing in mind we’re hardly going to be exerting ourselves, just lying around and listening to the worms sing.”

“I dunno,” said Rob, “sounds fucking dodgy to me. What if something goes wrong with the tank, or—“

“And in case of emergency,” Townsey got out his mobile and waved it in Rob’s face, “ta-fucking-da!” If he started to feel faint, or panicky (like Townsey would ever admit to panic, even in a situation like this), or even if the whole experience proved duller than Saturday night in The Rat & Bottle, he’d simply dial us up and get us to come dig him out.

“I’ll give you five minutes,” said Rob, which either indicated he didn’t know Townsey very well at all – or that he did, and was using a clever goading tactic to make sure Townsey saw this through till dawn. Personally, I didn’t think Rob was that smart, though he did like to think he was. But Townsey – I was starting to think Townsey was way too smart for his own good. Certainly too smart for ours.

Anyway, Townsey got in the box and we filled the earth in on top of him, then we all went off to sit in the van like good little soldiers and wait. We were scheduled to dig him up at 7am (any later, and we risked being caught by Saturday morning ramblers pissing about in the woods). Wayne and Helen watched a film on Helen’s phone. Rob did mental agility shit on his DS. I sat and stared out the back of the van and wondered what it was like, to be down there in the silent dark, to have an ancient dead person rotting away underneath you, to put all your trust in your mates that they wouldn’t just leave you down there where no-one would ever find you again…

Trust is a big part of this, see. Of what we’ve always been about. People out there – parents, teachers, your so-called ‘authority’ figures… They all lie. They lie to stop you living the way you want, being and doing the things you want. You can’t trust any of them. But your mates, you’ve got to trust your mates, haven’t you? To put your life in someone else’s hands and known they won’t let you down… that’s a powerful thing. It makes a bond, a bond that’s going to last your whole life. So when we’re, like, 40, and everyone around us is sagging on the outside and dying on the inside, we’ll still have these times to keep us young, to keep us alive. Even when they stick us in the ground for real (and no way am I going to let them burn me, not even if I go tomorrow are they burning me), we’ll still have done these things, together, that no-one else has ever done. Nobody can take this away from us.

Of course, what happened with Townsey, something like that’s going to shake your trust – going to make you doubt… but personally, I still think he’s testing us. To see if we’ll crack. To see if we’ll tell anyone what we were doing… ‘Cos everyone’s asking. Where he is. Where he’s gone. When we last saw him. We can’t disappoint him now, we can’t let him down – that’s the way I put it to the others, anyway. It’s not the way I see it myself, but it’s what they wanted to hear. I told them whatever I needed, to get them to put me down here again.

I know they don’t appreciate it the way I do. Townsey did, you could see that on his face the first time we dug him up. He’d felt something… something new. That’s when I knew I had to go next. Wayne, Lisa, Rob – they could take it or leave it. They’d just as soon do a shitload of K and go for a psychedelic dip in the res’, or nick another GTI and razz it round the multi-storey. They won’t admit it, of course, because they know it’s different for me. I keep telling them, maybe they just need to try it a few more times, maybe something will click and they’ll feel it like I do – like Townsey did – but even if they don’t, I don’t care. As long as they help me do it. As long as they’re here to dig me out when the tank’s getting low and answer the phone if ever I call – not that I ever would, but…

It’s getting near time now anyway, I can tell without looking. The others, they watch the clock when they’re down here. They light up their phone and keep checking the gauge on the tank. Rob plays games, Wayne surfs porn and watches old Jackass videos on youtube, Lisa listens to Fall Out Boy and My Chemical Romance, which if you ask me is one step on from the coffin – but whatever gets you through the night. None of them really appreciate it. They do it because it’s what we do. If tomorrow we gave this up and started – I don’t know, battering old biddies to death with tennis rackets – they’d go along with that just the same. Some people lead, like Townsey – some people follow. Me, I used to be a follower too, but now – if the rest of them told me they didn’t want to do this anymore… but they won’t do that. Because I’m in charge now. Things have changed since Townsey went, for the better too.

I reckon it’s the quiet I like best. You don’t get this kind of quiet anywhere else, certainly not at home with all the screaming and shouting and… All my life, that’s been my soundtrack. My mum and dad, going at it, every hour of the day and night. School? You certainly don’t get any quiet there. Teachers love the sound of their own voices way too much. And when you’re out with your mates, well that’s when you need to make some noise for yourself, in’t it? You’ve got to make the most of that. Everything we’ve ever done has been loud… all the fighting and the robbing and the fucking… this is the first time we’ve ever done anything quiet. Completely, totally, utterly. Maybe that’s why it’s the best.

When it’s getting towards the end, like now, when I’m just laying here waiting for the slice and thud of the shovels above me, that’s when I start to get sad. I want it to go on, see – I don’t want it to end. I wish I could find a bigger tank, one that’d let me breathe down here a whole day, a week – forever. There could be a tube, they could drop food down and… for a while, I thought about running a tube out of the coffin and up to the surface, so I could breathe through that. Maybe then I wouldn’t even need the tank. But Rob said it’d clog up with leaves and insects and shit, or if it rained it’d flood the coffin and I’d end up drowning before they could get me out. I remember someone saying on the telly how back in the olden days they had these little strings that came up out of the coffin, all the way up through the earth, fixed to a little bell by the gravestone. Then if someone wasn’t really dead, if they’d just been unconscious and they woke up down here in the box, they could pull the string and ring the bell and the gravediggers would know to get them out of there sharpish. Saved by the bell, that’s where it comes from, supposedly. I’m surprised people nowadays don’t insist on being buried with their mobiles for just the same reason. Me, I… I…

Lost my train of thought for a second there. I don’t know, the air in the tank’s getting… shit, the gauge is touching empty. Come on, guys, I don’t want to have to call you. I’m the only one who’s never had to… Wayne had to call ‘cos he really needed a wee, Lisa was having one of those funny breathing things one time and she’d forgotten to take her inhaler down with her, Rob… well, Rob was just arsing about, I think. He reckoned he could hear someone knocking on the coffin – from below. He laid it on pretty thick, too. The others thought… but Rob’s always been a bullshitter. I said that, and he proved me right. Wouldn’t stop laughing about it for days after. Wanker.

Townsey never called us, of course… but in the end, he must have called somebody. That was all Wayne’s fault really. We were doing it in shifts, like they do in horror films. One of us was always supposed to be awake, but Wayne – Wayne fell asleep too. I was the one woke up first, and when I saw it was almost eight o’clock…

“Calm down, Jules,” said Rob, as we rushed back to the grave with our shovels.” He’ll be alright – if he’d felt funny or something, if his air was running out – he’d have rung.”

“Yeah,” said Wayne, “he may be a hardcase, but Townsey’s not fucking suicidal.”

“What if his phone’s not working? What if he didn’t even realise he was running out of air till it was too late…? Lack of oxygen, I heard it can make your brain go funny, it can make you—“

“Townsey’s brain’s always been funny,” said Rob, but he was digging faster now, we all were. The earth’s always softer second time round, it comes up a lot easier, but by then I’m usually ready to go home anyway. I hate it when it’s not my turn. I just want that day to be over so we can get back to me. The first thought I had when we opened Townsey’s coffin and found it empty – well, the first thought once the shock and all that had worn off, once I started to think about how this affected me, and not just… My first proper thought: if there’s one less of us now, my turn will come round quicker.

Anyway, Townsey certainly didn’t dig himself out of there. Which means… even if all this is just another one of his… I mean… whatever reason he’s… he broke our trust. He told someone else. Even if he came back now, we couldn’t let him back in. The others might want to, I don’t know, give him a chance or… but no way. He’s gone now. They have to see that. I have to make them…

Shit. Oh, shit. My head’s getting really – there’s nothing left in the tank anymore, I’m gonna start breathing back my own… I’ve got to call them. I’ve got to call… Maybe it’s not – maybe they’ve just fallen asleep again (though Wayne swore he wouldn’t ever–) Maybe…

Why aren’t they answering? Why…? I’ll try Lisa’s phone, maybe Wayne’s is… maybe the battery’s gone ‘cos he’s always on the net…

No answer. God, who else can I call? The police – do I…? I’m gonna have to… if Rob and the others won’t answer, I can’t… I’m gonna have to call the fucking—

“Emergency – which service do you—“

“Police – ambulance – please, help me, you’ve got to get someone up to the… the old cemetery by Whittaker Woods, I’m trapped – I’m buried, I’m—“

“Can I just stop you right there, young lady? You should know that you and your friends are in real trouble now. Wasting police time is a serious—“

“What? No, wait—“

“While we’re wasting our time dealing with ten or twenty of your stupid prank calls like we have been tonight, we’re not able to deal with genuine incidents where people’s lives might actually be in jeopardy…”

“No, wait, you don’t– I’m dying here! I’m nearly out of… It’s nearly gone!”

“Stop this. Stop this right now. We’ve traced the number you’re using to make this call, and we will identify the owner of this phone, and any other phones that have been used to make similar calls tonight—“

Shit! Shit… what are they…? Hang up. Hang up, they’re not going to… Who else can I…? There’s got to be someone else I can – I don’t want to die down here, I don’t want to—

What? It’s ringing. Oh, thank god, my phone’s ringing – it’s—

Dad?

“Dad, listen – please don’t get angry, please don’t…” Fuck, I can hardly… even talking’s getting… “Daddy, please…”

“Soz, Jules, it’s not your dad. I’m just using his phone right now. Nicked it last night when he was pissed up in The Rat… nicked your mums too.”

Who…?

No, I know that voice. I know…

“Cut the landline into your house too, just in case you were wondering. There’s probably a couple of other people you could call, but even if they believed you… they’re not going to get up here in time to dig you out, now are they?”

“Townsey… T… what are… wh…?” Head feels funny now. Losing… What’s the…? Can’t really…?

“My calculations are correct, Jules, even if me and the others started digging right this second, we wouldn’t be able to get you out in time – and we’re stood right on top of you. Oh well, I reckon if you’ve got to go – this would be how you’d choose, yeah? You were always saying how much you liked it down there. Save your folks on a funeral an’ all–”

“W… W…?”

“Why, Jules? Is that what you’re trying to ask me? I dunno. I suppose I could tell you it’s because I didn’t like the way you’d started questioning every single fucking thing I said, or because you were starting to think you were better than the rest of us, or because... I dunno, this took us a fuck of a lot of work to set up, and I mean… I really don’t know, Jules. What do you reckon, guys? Jules wants to know why we’re doing this. Any…?”

“Yeah. Yeah, I think you might be right, Rob. I think you put it better than us. D’you hear that, Jules? You hear what Rob said? I do hope you can still hear, it’d be a shame if… Say it again, Rob. Say it one more time for Jules, it’s probably gonna be the last thing she hears, so… Go on, mate.”

“Hiya, Jules. It’s nothing… I mean, don’t… It’s just something to do, like. That’s all, Jules. It’s just something to do.”



Thursday, 11 November 2010

Paranormal Activity 2 - What Went Wrong?



Yes, yes, all those of you who hated the first film, you can leave your "I told you so's" at the door. (Yes, Kelvin, I do mean you!)

And yes, all those of you who liked the first film but knew the sequel was going to be pants: ditto.

So, I saw PA2 yesterday, and it was dull. It wasn't rubbish, but it was a huge disappointment after the first film. But... why?

1. They handicapped themselves from the outset by making this a prequel. Or a three quarters-prequel, anyway. The film deals with the sister of the heroine from the first film, and tries its best to develop a backstory regarding where the family's curse comes from. That's all very well, but in doing so it hampers itself - because if anything truly awful happens to the sister and her family for the most part of this film, then the characters in the first film would have been more aware and prepared for what happened to them. Which they weren't... which is why PA2 saves its real shocks for the final 5 minute epilogue which leaps forward in time to after the first film.

2. They go out of their way to avoid using the same shock tactics as the first film. Which is to be applauded... except... they don't actually come up with much to replace them. I spent the majority of PA2 waiting for something to happen. Anything! The first film was a slow-burner, but this didn't even start until the last 20 minutes. By which time most of the audience were tired of waiting for a jump.

3. The night-time highjinks of the first movie were captured by one video camera set up amateurishly on the dressing table. This time the family in question set up a whole houseful of CCTV cams to observe their spooky goings on... though there's actually less to observe. A definite case of more = less, the rule of thumb for all unsuccessful sequels.

4. The low-budget cast of the original were unknowns, and that worked in their favour. Although they reprise their roles here, the main characters are played by proper actors - recognisable actors in the case of the lead, Sprague Grayden, previously known as President Taylor's backstabbing bitch of daughter from 24. Her stage-school brat step-daughter stole even more of the shaky amateurishness that made the first film such a gem.

5. Maybe there's something to be said for the madness of crowds. I saw PA in a packed cinema full of jumping, screaming teenagers. Yesterday I went to a matinee with 10 other people, and nobody even squealed. I heard the occasional yawn, but that was it.

Maybe the true problem with Paranormal Activity 2 is the problem with all horror sequels. What made its predecessor work for me was that I didn't know what to expect. This time I went in with a bunch of preconceived notions... and they really couldn't win. Either they give me what I want, and I moan I've seen it all before... or they don't and I moan about that. You can't fool all the people all the time...


Wednesday, 10 November 2010

An Evening With Neil Hannon


I'm enjoying another much-deserved day off, so I'm not going to hang around here writing another blog post nobody will read. Well, not for long.

Last night, we raced off to a packed (oversold, if you ask me) Manchester Academy 2 for an evening with Neil Hannon. Yes, he's still the Divine Comedy, but it's pretty much just him these days: on piano, occasionally guitar, but mostly voice - that utterly distinctive, bastard-son-of-Noel-Coward voice we love so much. Yes, he does get a bit Richard Stilgoe at times these days, but there's nothing wrong with that. He's an artist who sometimes uses humour in his storytelling, or to get his message across... there's really nothing wrong with that, you know.

Great Human League cover too... he should release that.



Tuesday, 9 November 2010

blueeyedboy



Watch out folks, it's another book where the hero is a sociopathic loner, an amoral freak, a potential serial killer, and - yes, worst of all - a BLOGGER!

Joanne Harris is an author I have a lot of time for. Not only did she write one of my favourite thrillers of recent years, Gentlemen & Players, but she's also from my hometown of Huddersfield. Local girl done good!

blueeyedboy tells the story of a young man who grows up suffering from the condition synaesthesia. To him, words have distinct, often overpowering, colours and scents. He hears and sees the world unlike anyone else. His brothers are jealous, his mother is a bitter, blackmailing harridan, and the little blind girl next story steals all his thunder. And when he grows up... it's murder.

To say any more would be to spoil the fun. This is a story told by two increasingly unreliable narrators that blurs the line between truth, fiction, fantasy and downright lies in mindboggling fashion. The only problem I had with it was the marketing... I hate it when books promote themselves by pointing out there's "a huge plot twist at the end" (as this does on the back cover). I prefer to find out for myself and enjoy the surprise, rather than spending all my time trying to work out the twist. (It's OK though... I didn't.)


Monday, 8 November 2010

Catching Up


Between going to That London, editing my latest novel (which I've now decided is finished, bar the tinkering, and will be much shorter than originally planned, but hopefully much better for it), writing stories for Friday Flash and Thoughtballoons, and setting up a fake Twitter account to take the piss out of the most annoying man on telly (don't tell anyone it's me)... I've gotten a little behind on my usual blogging subjects. So here's a quick catch-up of some of the things I've seen, done, read and listened to lately...


You know when you see a film and you LOVE it, even though you know it could be much better? RED is the best could-be-much-better film I've seen all year. It's a little slow in places. A little corny. And Helen Mirren is - surprisingly - not very good. But... it has real heart, which is rare for an action movie. The opening sequence is exceptional. Bruce Willis really underplays it - not a smirk in sight. Mary Louise Parker is both hilarious and beautiful (and unlike a lot of women in Hollywood, seems to be maturing without the aid of botox). Malkovich hams it up like he's in panto. Karl Urban proves Bones wasn't a one-off scene-stealer. And amazingly for a film adapted from a Warren Ellis comic, this is the least cynical Hollywood movie I've seen in years. It's a heartwarming feel-good action romp like they don't make any more. No, it's not perfect, but it's a lot of fun. And a damn sight better than The Expendables.


Slightly less feelgood, though still enjoyable in its own way, is the "Lesbian Moms" flick The Kids Are All Right. Mark Ruffalo steals this one with his laidback manchild routine. Much as I admire Julianne Moore and Annette Bening, there's something insufferably smug about their characters that almost tips this film into annoying. Almost, but not quite. It's an adult relationships comedy that does some amusing things, though I really can't credit the Oscar buzz. And it has been saddled with the rubbishest film title of the year - what, they just put The Who on random play and picked the next song up? What was wrong with "My Two Moms"?



Lloyd Cole's new album Broken Record is garnering some of his best reviews in years. I suspect it's down to the fact that Lloyd's dragged a full band along with him this time rather than playing the acoustic troubadour card. I've seen him do that one-man-and-his-guitar act quite a bit over the last few years and it never grows tired... but seeing him perform his greatestest hits (plus the best of the new stuff) accompanied by two other fine musicians really was a treat. Some of the best guitar work I've heard in a long time. No drums though, he hates taking drums on tour - far too much hassle! I don't love Broken Record quite as much as I did 2003's Music In A Foreign Language, but it does feature Lloyd at his literate, world-weary best. Highly recommended, particularly if you get the chance to see it performed live.



I've mentioned the Ben Folds / Nick Hornby collaboration before, but it's worth another plug as it's fast becoming one of my favourite records of the year. Particularly their tribute to veteran songwriter Doc Pomus...


Finally, Comic of the Week comes from my sometime PJANG #4 collaborator, Ryan Taylor. The Grinning Mask is a fun tribute to the old EC horror comics, down to its Frederick Wertham-inspired title. Childhood hi-jinks meet scary monsters - excellent work from Ryan on story and art. Find out more about The Grinning Mask here.

Speaking of PJANG... issue #5 will be heading to the printers shortly, with not one but TWO covers by Nige Lowrey. Here's the first, based on the strip 'The Ex-Men', illustrated by Kelvin Green, to whet your appetite. Second cover to follow soon...


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