Monday, 31 January 2011

Kill Shakespeare



You might imagine that on a Venn diagram illustrating people who read comics and people who enjoy Shakespeare, the area of intersection would be slight. You would, of course, be mistaken. After all, many comic fans grew up on the high-falutin' prose of Stan Lee, who modelled the dialogue of characters like Thor on a cod American take-off of the Stratford bard.

Then in the late 80s, a new breed of comic was spawned by Neil Gaiman's Sandman which stole themes and even characters from all kinds of classic literature and used them to a variety of ends, some dazzling, others less so. (Don't start me.) Arguably Sandman created a whole new audience for comics - not just goths, but "serious" readers. Other books soon followed suit, notably Bill Willingham's Fables which brought us dark, adult interpretations of classic fairy tale characters, and recently Mike Carey's The Unwritten, which involves the creator of a fictional Harry Potter-esque hero and the son he may have based that character upon.

All of which brings us to Kill Shakespeare, a comic with such an inspired high concept pitch, you can't believe no one's done it before. The Bard's greatest creations - including Hamlet, Juliet, Othello, Richard III and Lady Macbeth - are pitched against each other in a thrilling quest to locate a legendary wizard with a magic quill. Whosoever possesses that quill will have power over all their domain. The wizard they seek? William Shakespeare.

With such excellent characters at their disposal, writers Anthony Del Col and Conor McCreery are obviously going to have a blast. When Macbeth's witches prophesy that a "shadow king" will be the one to take Shakey down, Richard III hires Iago to befriend the reluctant prince Hamlet and steer him towards his destiny. The resistance, meanwhile, led by Juliet and Othello, believe the godlike Shakespeare will be the one to finally free them from Richard's tyranny... but they too are counting on Hamlet's help. Hamlet, of course, is fiction's greatest ditherer, and also, quite possibly, two odds short of a bodkin, considering all the wild hallucinations he keeps having. Add to this Lady MacBeth, whose passionate seduction of Richard gave me slight cause for concern (since "if he cannot prove a lover, he's determined to prove a villain") until I realised her scheming extends much further than just Richard's bedchamber.

Kill Shakespeare is packed with bloodthirsty battles, dark magic, bawdy comedy, brutal betrayal, lust, sex and murder... just like the very best of the bard. The nod to Tarantino in the title is appropriate, but this is much less self-consciously cool than anything from the Geek King himself. The dialogue, though faithful to its source material and packed with sly references, doesn't try too hard to meet its maker. Andy Belanger's art strikes the perfect balance between cartoon and realism, ably handling detailed, multi-panel pages and chunky tracts of text, while colourist Ian Herring uses the full pallet - something that's often reserved solely for superhero adventures in comic book land, while books of this kind often restrict themselves to pastels or shades. It's a knowing move which demonstrates what all the creators understand well - not only was Stan Lee the 20th Century Will Shakespeare... but Shakespeare was, in his own hyperbolic, crowd-pleasing way, the Stan Lee of his day.

Volume 1 of Kill Shakespeare (collecting the first six issues) is available to buy now, and I'd recommend it to comic fans and literary types alike. If you do exist in the aforementioned Venn intersection, it's an absolute must.

Looking for more comic reviews? Check out Comics On The Ration, the new(ish) blog for comic fans feeding their addiction on a budget from Rob Wells and Paul Rainey, featuring occasional contributions by Steve Miller and myself. (I'll be reviewing Rick Remender's Punisher there shortly.) Add it to your blog list!


Friday, 28 January 2011

Friday Flash - Hairshirt In Reverse


Some days, you eat the bear. And some days, well, the bear, he eats you.

This has been one of those weeks where the bear wore a bib. A blocked week. I left my Thoughtballoons strip to the very last minute, and paid for it in the comments. And as for Friday Flash, inspiration failed to strike.

Rather than force it, or leave you without my weekend sermon, here's another old Elephant Words story, dusted off from 2007. Enjoy... and if you can't enjoy, endure. For me...

(Image by Austin Andrews.)



Hairshirt In Reverse




Have you seen my shirt?

“Which shirt?”

You know perfectly well which shirt. Which mean you must also know where it is. Must in fact be responsible for where it is. Something else you know: how much that shirt means to me. It used to mean something to you too.

1995. Like a million other sixteen year-olds before me, suddenly I’ve got this hard-on for individuality. I don’t want to listen to the same music as everybody else, or read the same books. I certainly don’t want to wear the same clothes. There was this odd little second hand shop in the back of the Corn Exchange. I was in there every Saturday, spending the peanuts I made stacking shelves Friday nights in Asda. Most of the time, I was their only customer.

Antique cuckoo clocks. Dusty old Serge Gainsbourg records. Coffee mugs with women on the side who lost their clothes when you filled them with liquid. (There’s a joke there somewhere, but I’m not in the mood.) Authentic Japanese Godzilla posters. In the window: a vintage 48 key concertina, a working Hornby 00 Gauge train set, and a French policeman’s hat like the one Claude Rains wore in Casablanca. A tag claimed it was the exact same hat. I never believed it.

Of course I remember the day I bought the shirt. It was the afternoon prior to our fourth date. Our third, three nights earlier, ended later than we expected. Just me and you and the swallows, we had Marigold Park all to ourselves. If the rain hadn’t stopped us, that could have been our night. We ran home laughing. I could see your parents in the front room watching telly, trying not to glance out into the street. You made such a big deal about kissing me goodnight. I knew it was for their benefit. I’ll say this for you, though: you knew how to keep a bloke interested. Do you remember what you said to me that night?

“Fuck, Porter – you’re going to get so lucky this weekend.”

It was the first time I'd ever experienced spontaneous human combustion. Good job it was raining. I walked home in another dimension. The shirt I had on got soaked, ruined. I couldn’t wear it two dates running anyway. I needed something new. Special. I worked overtime Friday, on the frozen food. My fingers lost all sensation by the end of the shift.

The thing is, there wasn’t anything special about that shirt. Not to look at it. Just a plain white thing with short sleeves and no collar. It wasn’t what I was looking for. I can’t tell you why I bought it. When I held it to my chest in the mirror... it just felt right.

Saturday came and your parents were up in the Lakes. You made fresh avocado salad, and we split a Bounty while listening to Nick Drake. It was the first really hot day of the summer, and after tea we walked up through the cornfields behind your house, looking for a place to set down our blanket. I started to take off my shirt, but you put your hand on my chest and told me not to.

“Keep it on.”

The thing is, your first time’s supposed to be all weird and hesitant and bungling… I don’t know about you, but that’s what I expected. When it wasn’t, when it… I mean, where do you go from perfection? Afterwards, you flicked a greenfly off my collar and told me you loved me. I reckon astronauts could see me from space that night.

When I got home, I hung the shirt on the curtain rail to catch the breeze from my bedroom window. I was worried Mum might smell us on it when she threw it in the wash. Except, by morning, I’d made up my mind. That shirt wasn’t ever going in the wash. I know you don’t believe in such things, but sometimes I think that’s where the magic came from. The magic that kept us together.

I took the plastic bag off one of my dad’s suits, just back from the dry cleaners, and rolled it over the shirt. I had this crazy romantic notion I’d get it out again in fifty years and wear it for our golden anniversary, but I needed it sooner than that. After we tried and failed to get into the same university... I had to take something of you with me to Bath. You hear about all those couples who split up while they’re away at college, I didn’t want that to be us. So whenever I got lonely, whenever some crazy girl turned my head with a look or a laugh or a keen knowledge of Chomsky… I’d go back to my room and unwrap that shirt, put on some Nick Drake, and remember.

And yeah, if we’re being brutally honest now, the times we did meet up… weekends, holidays, after you fought with Laura and almost dropped out… they were good, they were great, but they weren’t always quite as good as I imagined they'd be. But I told myself that once we were together again full time, things would be different. Better, I mean, better even than that night in the cornfield. But maybe I was kidding myself. Because we’ve been living here – what, twelve years now, and all we do is argue over who gets to open the new jar of coffee and take the first sniff, how it drives me insane that you have to screw up your shopping list and start again just because you’ve spelled ‘quiche’ wrong, and... I mean, god help me if you buy one more pair of culottes…

But no, I don’t want us to split up, and do you want to know why? Because whenever I put on that shirt (and OK, yeah, it smells a bit now—

“It stinks.”

–and there are stains I don’t even want to think about), I know I couldn’t ever meet anyone who’d make me feel half the way you did that on legendary evening in June, ‘95. So please, I’m going to ask you one more time – and don’t lie to me, Clare, because I’ll know if do. Please…

What? Have you done? With my shirt?


Thursday, 27 January 2011

The King's Speech



For those of you who think I only go to the cinema to see dreadful, shlocky tat like Season The Witch... it's not true. I do go see decent, critically acclaimed and Oscar-nominated "worthy" pics too. They're much harder to review.

Take The King's Speech. It really is as good as you've heard. Colin Firth gives a tender, moving performance as the stuttering royal; Geoffrey Rush doesn't overplay the comedic gift he's been given; Helena Bonham Carter manages to make the old Queen Mum both fun and feisty... you can easily imagine this woman growing into the hard-drinking, hard-gambling Spitting Image caricature of the 80s. I struggled beforehand to accept Guy Pearce as Firth's older brother, not only because he's 7 years younger but also because I always think of him as Mike in Neighbours, leather jacket and teenage scowl, riding off on his motorbike in a huff. But even that was forgotten once Pearce stepped into the screen, a ringer for our infamous abdicating monarch.

This film succeeds in all areas... it even makes me like the royal family. Well, the one from 70 years ago. I've nothing to say beyond the accolades...


Wednesday, 26 January 2011

Top Ten Spell Songs


After last week's Witches, I thought about following on with a Top Ten Wizards but found just seven in my library (not counting Roy Wood) and only The Who was a classic.

But I'm not done with the occult just yet... so here's my Top Ten Spell Songs, which ties in quite nicely with this week's Thoughtballoons character, Dr. Strange, Master of the Mystic Arts. If you're so inclined, you can read my one page script here.



10. Focus - Hocus Pocus

Where rampant guitar riffs meet crazy Dutch yodelling.

I know but two things about Focus...

1) They're one of Stuart Maconie's favourite bands.

2) They're featured, to amusing effect, in the classic Half Man Half Biscuit story song, Tour Jacket With Detatchable Sleeves...

After the Identical Cocteau Twins, came the final act, I Can’t Believe It’s Not Focus. Following a commendable stab at Sylvia, Helen shouted to the guitarist: “Are you knackered, man?” To which he replied: “No, I’m Jan Akkerman”.

9. Siouxsie & The Banshees - Spellbound

In which Siouxsie Sioux suffers for her art, crawling around on a men's room floor like she's re-enacting that infamous scene from Trainspotting, before things go really mental like Toy Story meets the Texas Chasinsaw Massacre...

"When you think your toys have gone berserk..."

...they're probably just listening to too many Banshees records.

8. Gogol Bordello - Break The Spell

If Start Wearing Purple is the only Gogol Bordello song you've ever heard, here's another tasty slice of Russian gypsy mayhem for your earbuds.

7. Amber Benson - Under Your Spell

From the infamous Buffy & The Vampire Slayer musical episode - you know the one where they wouldn't let Alyson Hannigan sing because despite being too cute to live, she's also got a singing voice like Miss Piggy in a 'Yodel Like Jan Akkerman' Competition?

I still don't know whether Amber Benson's character was called Tara or Tera.

6. Nick Cave & The Bad Seeds - Spell

Cave at his most yearningly romantic. Hard to believe this is the same guy who gave us Grinderman.

5. Lambchop - I Can Hardly Spell My Name

OK, I know, strictly speaking the definition of 'spell' here is an entirely different one to every other song on this list (one derives from the Germanic, the other from Old English - see, I'm not entirely allergic to research), but it's still a beautiful record, while Kurt Wagner's lyrics are just cryptic enough to make it an invocation of sorts.

4. Aqualung - Strange & Beautiful (I'll Put A Spell On You)

A prime slab of Coldplayesque whimsy from the summer of 2002 when this song was everywhere thanks to its use in a VW ad campaign. Songwriter Matt Hales has made far more interesting records since, but this appears to be the one he'll be remembered for.

3. Screaming Jay Hawkins - I Put A Spell On You

A unique - and at the time, shocking - performance which was achieved by getting everybody in the studio so fired up on liquor and spicy chicken wings that Screaming Jay doesn't even remember recording it. Covered by everyone from Bryan Ferry to Nina Simone, Jimmy Barnes to the Eels... but none of them are quite as scary as the original.

2. Billy Bragg - She's Got A New Spell

One minute she says
She's gone to get the cat in
The next thing I know
She's mumbling in Latin

Billy looks about 12 in this video. It's really quite depressing.

1. Steve Miller Band - Abracadrabra

The word "abracadabra" comes from Aramaic and means "to create... as I say".

Not to be confused with DC Comics' mad magician Abra Kadabra...


Steve Miller (no, not that one) allegedly wrote this song after meeting Diana Ross.

This was the band's last big hit, not counting the UK jeans ad Joker revival in the 90s.



So, shazam, alakazam, hey presto... who did I dispell?


Tuesday, 25 January 2011

The Redeemer



Seeking for an author to fill the Steig Larsson-shaped hole in my library, on the shelf marked "grim, yet gripping, Northern European detective thrillers", I happened upon Norwegian author Jo Nesbo, whose latest novel The Snowman is being helpfully touted as "the new Larsson". Before I got to that though, someone recommended I first read Nesbo's earlier book starring policeman Harry Hole, The Redeemer. As it turns out, if I wanted to be a completist I should have gone back even further and started with Hole's earlier adventures The Redbreast and The Devil's Star (plot elements from which are referenced here) but fortunately it's quite possible to read any of Nesbo's novels as a self-contained mystery (something that isn't really true of the second and certainly the third Lisbeth Salander books).

The Redeemer is a Serbian contract killer hired to murder a prominent member of Salvation Army in Oslo... who ends up shooting the wrong man. Despite the fact that the police are closing in, the Redeemer is determined to put right his mistake... but who hired him in the first place? Harry Hole's investigation is hampered by a new boss, unreliable witnesses, unexpected tragedy... and the fact that the killer has a rare condition known as hyperelasticity that renders him virtually unrecognisable - he's an actual rubber faced criminal. (Talk about stretching credibility!)

Although a far more traditional thriller writer than Larsson, Nesbo succeeds in many areas where Larsson showed weakness, particularly the action sequences. This novel has a movie script sense of visual excitement that was missing from the Dragon Tattoo books, and it's here that Nesbo scores. On the other hand, his characters aren't anywhere near as compelling as Larsson's and there isn't his fascinatingly anal attention to detail or skill at making everyday mundane routine so gripping. It's wrong to compare the two writers - hell, they're not even the same nationality. But shorthand comparisons shift books, and I'm sure Nesbo isn't complaining about "the Larsson effect".

The Redeemer is an exciting and unpredictable thriller - I'm looking forward to reading more Harry Hole adventures soon.


Monday, 24 January 2011

Justin Time


Twice now I've had tickets to see former Del Amitri frontman Justin Currie playing live in his new solo incarnation. Twice, despite the fact that he's written some of my favourite misanthropic songs of the last twenty years, I've had to give those tickets away... once because I'd just broken my arm, once because my back was so bad I couldn't stand up. (Back update - I still can't stand up for long, but using a combination of seated or partly-seated venues or painkillers/heated wraps, I'm not letting it spoil my appreciation of live music too much.)

Saturday night it was third time lucky, in my new favourite venue (and not just because it's a five minute drive over the hill), the Holmfirth Picturedrome. The last time I saw Currie live was back in 1998 when he was just a Drunk In A Band. The general consensus by all who attended that evening is that it's one of the most memorable gigs of our life. True, a certain amount of alcohol was consumed (those were the days, eh?), we were wild, we were free, we were still in our 20s... and Del Amitri looked like they'd last forever. And so would we.

In the cold light of 2011 then, when we're all starting to feel our age, there's no more Whiskey Remorse to be had (not for me, anyway), and JC's binned the band as part of "the new austerity"... how would the solo act compare with the hellraising days of old?

Well, it won't. They're two entirely different beasts. But while Wednesday October 28th, 1998, was exactly what a 26 year-old semi-alcoholic hedonist needed to blow his mind... Saturday January 22nd 2011 was much more in-keeping with the wants and needs of an occasionally morose teetotal 38 year-old. I don't care about getting old, as long as my favourite artists come with me.

The first time I heard the song below was in the early days of 1990. I was 18, hadn't yet touched a drop, and still believed my future involved spinning records and talking in between them for a living. How wrong can you be? Sitting there in the last free seat on the Picturedrome balcony, I wondered where I'd be in another ten of these increasingly fleeting years? As long as Justin Currie's still singing, it won't be too bad...



Thursday, 20 January 2011

Bradford On Sea


It's now more than six years since they destroyed Bradford, the city in which I work. I originally reported on the demolition back in 2007. (I didn't have a blog in 2004 when it actually began.) They knocked down a large part of the city centre - right outside our office window - in preparation for an exciting new shopping and leisure palace of wonderment... which never actually materialised.



A year later, it looked like things were moving again. The workmen returned, cleared away all the rubble, and began digging a huge crater for the development's foundations... and then, everything ground to a halt once more.


The public blamed the council, the council blamed the developers, the developers blamed the recession. Lee Harvey Oswald was spotted having his lunch on the third floor of a nearby book depository... you can guess the rest.

It doesn't matter who's to blame. It doesn't change the fact that we stare out of our office into a big hole in the ground that used to be Bradford. In an effort to placate the angry mob, the council turned a section of the site (sadly the section furthest away and not in any way visible from our window) into an "urban garden". They allegedly spent £300,000 on a fence, some tarmac and the planting of some scrubby grass... which promptly flooded because they'd forgotten to include any drains. The urban garden became an urban swimming pool and is now closed for extensive drainage work (rumoured to be costing an extra £30,000).

But the flooding isn't confined to the garden of earthly delights... as the images below reveal. The crater itself is also filling up with water. It's becoming a lake. So much so that seagulls have started living there, riding the waves that regularly lap up against the rusting steel of the fabled development's foundations. Sometimes geese try to land in the lake and the seagulls fight them off. At times it's like working next to a harbour. One day, we fully expect to look out and see a huge cruise liner docking. Maybe somebody swinging a champagne bottle on a bit of string. Sailors on leave propositioning prostitutes. You know the sort of thing.

But in case you're worried I might float away and never be seen again, fear not... last week, two blokes in Donkey Jackets and a van that said "Dewatering Experts" on the side (you couldn't make this up) were sent in to sort it all out. They walked about a bit, tapped a few pipes, talked on their phones... then buggered off. Still, it's good to know we're in such safe hands. You don't get that kind of service anywhere else... only in Bradford.




Wednesday, 19 January 2011

Top Ten Witch Songs


Following on from last week's Top Ten Bitch Songs by changing just one letter in my search engine (yes, I'm that lazy) - and also in celebration of the unholy mockery that was Season Of The Witch - here are ten songs filled with hubble, bubble, toil and trouble...



10. Jeff Buckley - Witches Rave

Everyone knows the story. Jeff Buckley made one classic album, Grace, then floated away down the Mississippi River before he ever got chance to complete its follow up, My Sweetheart The Drunk. His record company, doing what record companies do best at times like this, released the unfinished sessions as a double album of incomplete "sketches". They're nowhere near as compelling as anything on Grace, but who knows - maybe they would have been.

Whoever uploaded this to youtube decided to link it to scenes from the movie Unfaithful, so you get to watch Diane Lane get it on with Olivier Martinez while you listen to Jeff's song. This may prove too much of a distraction...

9. Get Well Soon - Witches! Witches! Rest Now In Fire

Gloomy German arthouse types give great title... but slightly less memorable song.

8. Everclear - The Good Witch Of The North

An Everclear track that begins with a shag and ends with a promise. The titular witch is obviously his girlfriend... would you marry this man?

7. Eagles - Witchy Woman

A song written by Don Henley in a delirious fever dream, the witch in question apparently being F. Scott Fitzgerald's wife Zelda, "the first American flapper". (Yes, I said 'flapper'. You just read it as 'slapper'.)

6. Hefner - The Sad Witch

Her atheist tracts are certainly persuading.

...is one of those lyrics that always brings an unnecessary smile to my face. The question is, if we threw Hefner in a lake with bricks tied round their ankles, would they float or would they drown?

(No indie-folk weirdoes were hurt during the preparation of this Top Ten.)

5. Eels - Teenage Witch

Speaking of which...

If being a witch isn't bad enough, E imagines it must be even worse being a teenager as well!

Heaven can't help a teenage witch
From sinking deeper down into the ditch

4. Bloc Party - Hunting For Witches

The witchhunt here is the media-fuelled hysteria created after 9/11 and the subsequent terrorist attacks on the London Underground. Those wacky, fun-lovin' Bloc Party lads.

3. Edwyn Collins - The Witch Queen Of New Orleans

Originally recorded by Redbone in the 70s, there's just something about the Edwyn Collins version that tips it over the edge. Great strings, and Collins' voice has never been richer. Curiously, he also does an inspired cover of our next track too... though sadly I can't find either of them on youtube.

2. Frank Sinatra - Witchcraft

Written and released in 1957. It's easy to think of Sinatra as being a big musical force in only the 40s and early 50s, disappearing off the scene once his nemesis, rock 'n' roll, arrived on the scene. Nothing could be further from the truth. This is a classic, whatever the era.

1. Donovan - Season Of The Witch

The film may have been a crock, but Donovan's 60s hit steals the broomstick from all other contenders. It's also the only truly spooky song on the list.



So... who did I forget? Or, as Scooby Doo would have it... which witch is WITCH?


Tuesday, 18 January 2011

The Small Hand



Susan Hill is the author of The Woman In Black and over 50 other spooky stories in the tradition of MR James and Shirley Jackson. Her latest tells the story of Adam Snow, a dealer in rare books who takes one of those pesky wrong turns without which so few of these stories would ever get told and ends up at a derelict house with an overgrown garden in the middle of anywhere. Something draws him to step out of his car and admire the view... and when he does, he feels a child's hand take his and begin to lead him away. He resists and leaves, but finds himself haunted by the memory of this small ghost over the weeks that follow... and drawn into investigating a dark mystery from his own childhood that may hold the answer.

As you might expect, this is a novel big on atmosphere, a masterclass in milking the utmost tension from a limited number of spooky scenes. Hill builds the mystery slowly while following Adam to a remote French monastery in search of a rare Shakespeare first folio, before he's lured back to the ramshackle garden where his adventure began for a cruel reveal. It's a short tale, expertly told. It's a few weeks since I put it down but vivid images linger.


Monday, 17 January 2011

Season Of The Witch



So just before Christmas, we're at the cinema, me and I and P, about to watch Unstoppable (which I never got round to reviewing but it was all right, if you like based-on-true-story runaway train gubbins with Denzel Washington and the new Captain Kirk) when up pops a trailer for some new medieval action thriller with lots of dramatic set pieces, spooky intrigue and sexy witches. It was one of those trailers that build to a big, music-stopping reveal. Prior to the reveal, we were thinking: "this doesn't look half bad", "might be worth a go", etc.

And then the crescendo climaxed and in waddled Nicolas Cage.

A fat-faced, goateed Nicolas Cage in witch-killer armour.

At which point we all burst out laughing. "That looks stupid," we agreed. And that was surely the end of it.


Cut to: early last week.

"Do you fancy going to watch Season of The Witch?"

"I'd rather pluck my own eyeballs out with red hot sugar tongs."

How soon we forget...


Somehow, against my better judgement, I & P persuaded me. "But, it'll be shit!" I argued. "When has that ever stopped us?" came the reply. Surely, they argued, surely it couldn't be any worse than Solomon Kane?


No further review is necessary. If you're dumb enough (as we were) to go see Season Of The Witch expecting any kind of entertainment - you deserve everything you get.


Despite the fact that I named him Number 8 on my infamous list of Top Ten Worst Actors In Hollywood a couple of years ago, I don't actually dislike Nic Cage. When he's on form, he can be ridiculously entertaining. His mental-as-anything remake of Bad Lieutenant with Werner Herzog last year was the best performance I've seen from him in years. Season Of The Witch was the worst. He didn't just phone this one in, he sent it via Morse Code. From the coma ward.

As for the script, when your very best line is...

"We're gonna need more Holy Water."

...well, quite.


Friday, 14 January 2011

Friday Flash - Pile Up


I wrote this week's Friday Flash story for a competition entry last summer. Looking back now, I know why it didn't win. I was trying too hard to write the kind of story that I thought won competitions.

Perhaps you'll enjoy it despite that...




Pile Up


At what point do you realise you’re married to the wrong person, Alicia wonders. Is it the point where you hear about the sixteen car pile-up on the M62 and you think, ‘Brian’s on the motorway now’, but you don’t think, ‘I hope he’s OK’. Instead you start imagining a knock on your door and a sombre-faced policewoman:

“Is there anyone we can call?”

They met seven years ago, at a B&B in York. It was high summer, but they were the only ones there. Brian was up from Wolverhampton, attending a conference on The Future of Social Networking at the Barbican. Alicia was sightseeing. Since breaking up with Don, she didn’t mind holidaying on her own. Going where you wanted when you wanted without having to worry whether your partner really wanted to be there, or whether they’d rather be somewhere else, doing someone else. Don had been shagging that waitress from the Bull's Head for three months by the time they went to Crete. Why keep up the pretence for two whole weeks then drop the bomb the moment they got home?

“I didn’t want to spoil the holiday.”

Yes, because now Alicia had such great memories of it.

She turns off the radio when the adverts come on and goes to the fridge for Ocean Spray. It’s good for your bladder. She had an infection last year and Brian made her drink it. She was never a fruit juice person, but she’d grown to love it. Now she even drank it with vodka. It was weird the way living with someone changed basic things like your diet, what time you went to bed and when you did the washing. She’d never watched The Simpsons before meeting Brian. Now she watched it every night. Even the ones she’d seen three, four times. Would she still watch it if they split up, or would it be forever tainted by them?

Ah, but who was she kidding? They wouldn’t split up. Not on her instigation, anyway. Sometimes she pictured Brian’s face with that curled lip, does-not-compute expression he got whenever she had the temerity to disagree with him. Besides, it was complicated. She might not love him anymore, but she did still love him. One word, so many different definitions.

Sometimes she wishes Brian would have an affair too. But that was insane. Catching Don with that tart was the worst thing that ever happened to her. Worse than the time she broke her nose ice-skating, worse than the time she thought her dad had cancer (it turned out to be polyps), worse even than the abortion. At least that had been her choice. And yet if she’d arrived home tonight to find Brian shagging a floozy from someone else’s local, would part of her not have been relieved? What - she didn’t love Brian the way she’d loved Don? No, you couldn’t compare. All those definitions rendered comparisons worthless. Besides, Brian wouldn’t ever do that. He didn’t have room in his heart for another woman. He barely had room for her.

As she peels the potatoes, she thinks again of York. Arriving for breakfast to find her future husband sitting alone with his muesli. He’d caught her eye the moment she walked in.

“Good morning! Isn’t it a lovely day? I think we’re the only ones here.”
That appeared to be the case. Alicia had been intending to sit over on the other side of the room, but might that seem rude now?

“Why don’t you join me? I’m having the full English, what about you?”

When the waitress arrived to take her order, Alicia realised she didn’t have a choice. She asked for a grapefruit and some toast, thinking suddenly of her figure. Why? That was when Brian started telling her about his conference.

“To be honest, I could have done without it. We're so busy back at the office. But people are coming from all over the country – even abroad. Amsterdam, Iceland, one bloke from Czechoslovakia, or whatever they call it these days. I’m the keynote speaker. Can’t do it without me.”

Alicia had never spoken in front of an audience. Wasn’t he nervous?

“I’d only be nervous if I didn’t know what I was talking about.” His laugh defused the arrogance. No, it wasn’t arrogance, she remembers thinking: it was confidence. Such a scarcity in her own life, she hardly recognised it. Yet when she was with him, his confidence became hers. “I can do anything” became “we can do anything”. “They can’t do that to me” became “they can’t do that to us”. And so on. For a time, it was irresistible.

He should be home by now, she thinks, peeking through the blinds. It’s still raining. A car goes past the end of the drive spraying water from the puddles. It’s not Brian. She turns down the gas on the potatoes and checks her mobile. Sometimes he texts if he’s stuck in traffic.

Nothing.

She imagines herself in a solicitor’s office, Grantham, Surley and Braithwaites, talking over the particulars of her late husband’s will. His life insurance would pay off the mortgage. Then there’d be his pension and death-in-service benefits… but it wasn’t about the money. It was the long term benefits that really excited her.

These are only thoughts, she tells herself. Everybody has thoughts. Bad thoughts. Mean thoughts. Bleak, fatalistic, inappropriate, just plain evil thoughts that blow through your head like thunderclouds but don’t actually bring rain.

She remembers being a little girl, lying in bed, unable to sleep until she heard her dad come home. The later it got, the more she worried. It didn’t matter what Mum said to reassure her. Uncle Alan hadn’t come home one night; he’d been run over on the way back from his club by a drunk driver. Mum said that had been a tragic accident, but with something like that already happening to somebody in their family, it was far less likely to ever happen again. That was something called probability, though it turned out Mum didn’t really understand probability at all. Alicia’s maths teacher told her that if you tossed a coin nineteen times and it came up heads every single toss, it still didn’t change the odds of it coming up heads again on the twentieth. So Alicia had to learn to beat the odds and find another way to protect her dad. People said bad things happened when you least expected them, so every night she expected the worst. A crash, a fire, a shooting, a kidnapping… another drunk driver. By picturing it, she denied it. And every night her Dad walked in the door, that was one more victory over fate.

By those rules, wasn’t she now protecting her husband in exactly the same way? Ruling out the possibility of an accident by imagining it first? She ought to feel good about that. Why didn’t she?

When Brian asked her to marry him, it’d been a foregone conclusion. She’d thought about saying no, but she’d only have been doing it to see the look on his face. He’d probably think she was joking anyway. He’d already booked the church, and two weeks off work. “The difficult thing’s going to be the guest list. Narrowing it down. If I invited everybody who thinks they’re going to be invited, we’d have to hire the Albert Hall.” Brian had 2476 friends on Facebook, and few were mere acquaintances. Alicia could think of maybe six people she wanted on her side of the church, and that included her mum, dad and brother Ray. She ended up inviting people she hadn’t spoken to in years, in a vain attempt to balance the numbers.

Vain – there was another word that lost you in its definitions. A word that could have applied to both bride and groom that day, in entirely different ways.

For their first dance, Brian serenaded her from the stage. You’re Every Woman In The World To Me. They didn’t actually dance, she just stood there like a lemon and let herself be sung to. At what point do you realise you’re married to the wrong person? God help you if you’re still wearing your wedding dress.

She didn’t wish Brian ill. She certainly didn’t want him dead. She didn’t even hate him. She just didn’t ‘love him’ love him. The ironic thing was, if he didn’t walk in that door soon… if fate actually won this round…

When she hears his car in the drive, her emotions are all a tangle. Relief tied up with regret, twisted into guilt. Always guilt. What does she have to be guilty about? She was only thinking. This is all his fault. If he’d been home on time, none of this would have ever entered her mind. She takes a deep breath and forces the frown from her face, ready to greet him. As she does every night, she laments the passing of her time alone and readies herself for another evening of cohabitation.

The look he gives her as he opens the door wipes those thoughts away. She doesn’t even have time to say, “you’re late,” or “what time do you call this?” or ask if he got stuck on the motorway because of the accident. She knows something’s wrong.

“Sit down,” he says, and yanks off his tie like it’s the real reason his face is so white, his eyes so red and rubbed bloodshot. “Just sit down,” he repeats when she tries to ask why, and even now hope flickers in the dread. Has he met someone else? Was he with her tonight? Is he going to leave? She pulls out a chair with a scrape.

“Ray called me on my way home. From the hospital. He didn’t want to tell you over the phone, better someone told you in person. Obviously he though I was best…”

He crouches in front of her and takes her hand. Behind him, the cat flap goes and Mandrake squeezes through, bedraggled from the rain. He lets out a crabby meow and rubs himself against the tea towel that’s hanging from the radiator. Then he glares at Alicia like it’s all her fault. Where’s the summer gone?

“It’s your dad,” Brian says. “He was in an accident. There was a crash on the motorway…”

The cat’s right, Alicia thinks. It is all her fault. Her daddy’s dead, her mum’s too upset to talk, even her brother doesn’t want to be the one to break it to her. It’s all her fault. She hasn’t been protecting him like she used to. When she heard about that accident, all her thoughts were for Brian. No, not for Brian. They hadn’t been for Brian at all. Selfish cow, she thinks, look what you’ve done now!

Her husband’s still talking. Of course he is. He’ll take care of all the arrangements. She doesn’t need to worry. It’ll be the best funeral anybody’s ever had. A testament to the man, a great man, a man Brian had a lot of love and respect for. Everything he deserves, we’ll do him proud.

“I have to go pack,” Alicia tells him, “I need to be with my mum.”
Brian says he understands. He thinks it’s a good idea. A few days at her mum’s, that’ll do them both some good. They can grieve together. He’ll drive her over there now, fetch her back at the weekend.

“No,” says Alicia. “I might have to stay longer than that. Quite a bit longer…”

Brian doesn’t understand, she thinks. But he will. She’ll make him. This is her chance. He asks how much longer and she answers without hesitation.


Thursday, 13 January 2011

How I Escaped My Certain Fate



The Sun calls Stewart Lee: "The worst comedian in Britain, as funny as bubonic plague."

If you needed any further reason to love him, consider also that one critic described my favourite comedian's act as being aimed exclusively at "atheist, comic book reading, Morrissey fan nerds."

Now I resent that remark. I'm not an atheist. I'm an agnostic. There's a big difference.

How I Escaped My Certain Fate is a book that may only be of interest to the group described above, but deserves to break out of that ghetto and take over the world. It consists largely of heavily annotated transcripts from the three big comeback shows Lee toured extensively in the latter part of the noughties, leading to his TV return on Stewart Lee's Comedy Vehicle. I've seen all three shows live, and on DVD, so I know the material pretty well by now. And seeing it written down obviously loses much of the humour that comes from the Lee's desert-dry delivery. He even admits, "the text of a stand-up set should be so dependent on performance and tone that it can't really work on the page, otherwise it's just funny writing". And yet, I loved this book. Not so much for the jokes, but for the fascinating peek behind the jokes - the insights into how comedians build sets, where jokes come from, and how performers struggle to hold an audience's attention, or even sometimes willingly sacrifice that attention in order to make winning it back more of a challenge.

It also reads like a detailed and opinionated history of what was once called "alternative comedy" in the UK, from the late 80s to the present day, touching on both famous names and lesser known influences. And if you've ever wondered how and why certain comedians end up big TV stars while others keep plodding away in the clubs, Lee's book also lifts the lid on the hilarious inconsistencies of the commissioning process. In fact, if you're at all interested in comedy, you really ought to read this book... unless you agree with the Sun, in which case I believe Michael McIntyre has a new "bestseller" out with big writing and lots of pictures for you to colour in with your wax crayons and stuff.


Wednesday, 12 January 2011

Top Ten Bitch Songs


This seemed like an obvious follow-on from last week's list of Bastard Songs, however I was not without my qualms...

I used to work with a woman who absolutely loathed the word B-I-T-C-H. She was happy enough using most other swearwords (even the C-one), but could not even stand to be in the same room as someone saying "bitch". Now I'm a firm believer in not letting words have power over you... but I also don't want there to be any kind of misogynist subtext from a post like this. (Misanthropic, yes, but there's a misanthropic subtext to just about every post I write.) Besides, as this list proves, the word in question can have all kinds of different interpretations... and it does make for an excellent selection of tunes...




10. Meredith Brooks - Bitch

What further proof can you ask for than this 90s feminist empowerment anthem (oh, argue that one amongst yourselves) from Meredith Brooks...?

I'm a bitch, I'm a lover
I'm a child, I'm a mother
I'm a sinner, I'm a saint
I do not feel ashamed
I'm your health, I'm your dream
I'm nothing in between
You know you wouldn't want it any other way

9. Inspiral Carpets - Bitches Brew

An atmospheric, almost Joy Division-esque drone from the Manc madcaps... though they are wearing Sphinx masks in the video, and you never saw Ian Curtis doing that, did you?

8. David Bowie - Queen Bitch

Ah, Bowie. You really should show up on these lists more often, you crazy androgynous godlike genius, you.

She's so swishy in her satin and tat
In her frock coat
and bipperty-bopperty hat
Oh God, I could do better than that

What a bee-yatch!

7. Kenickie - 60s Bitch

I make no apology for the fact that this also appeared in my Top Ten Six Songs. It's Kenickie, deal with it.

6. Absentee - Bitchstealer

"Bring her back, bring her back, bring her back..."

I knew very little about Absentee... but after hearing this, I wanted to know more.

5. Elton John - The Bitch Is Back

In which Elton is the titular bitch... and you just know he is, too.

4. Blast Off Country Style - Hey, Hey I Love You Bitch

I can't find much about this band online either, and sadly no link to the song in question. But it's great... so if you can track it down, you'd be doing yourself a huge favour.

3. Bowling For Soup - The Bitch Song

The b-word means something quite different in an all-male prison, as Bowling For Soup discover in this sensitive video dealing with the harsh realities of prison life.

I like Bowling For Soup. They're like a band from a Hannah Barbera cartoon. I bet they drive around in a colourful tourbus solving spooky mysteries and upsetting local shopkeepers wherever they go.

It amuses me no end that when you search for this song on youtube it comes up as "Beach Song".

I originally placed this song at #7... then I received a tweet from the band's lead singer Jaret Reddick... and he's right, they should have been at least #5.

So I changed the order round and made them #3. Yes, I am that easily swayed.

If David Bowie wants to tweet me, I'll make him at least #4.

2. Ben Folds - Bitches Ain't Shit

Quite possibly the greatest cover version ever recorded, in which Ben Folds castrates the macho posturing of Dr. Dre's original (though to be fair, the bitches Dre refers to are a former bandmate and his manager) and turns it into a heartbreaking piano ballad. Folds' version of this song became so popular that he eventually had to give up playing it live because he didn't want his kids to hear him referred to as "that bitch guy".

1. Robyn - Konichiwa Bitches

I first became aware of Robyn, and this song, through Kieron Gillen and Jamie McKelvie's excellent Phonogram.

Here Robyn brags like the cockiest of rappers yet in such hilarious, tongue-in-cheek fashion you can't help but love her. This song is actually the main reason I wanted to compile this particular Top Ten... it was either this or a Top Ten Foreign Language Greetings Songs... which was much clumsier... though I haven't ruled it out completely.

I'm so very hot that when I rob your mansion
You ain't call the cops, you call the firestation

'Cause my love is so sweet
You'll be zoom, zoom, zoom
Don't even get me started on my bada-boom-boom
One left, one right thats how I organize 'em
You know I fill my cups no need to supersize em'
Right now you probably thinking how she get in them jeans
Well I'm gifted all natural and burstin the seams

Konichiwa bitches!



Feel free to bitch in the comments about the bitches I kicked to the curb...


Tuesday, 11 January 2011

Favourite Shirts


I threw out my favourite shirt this weekend. It was a thick, wooly, green and brown checked affair that I'd had since I was a teenager.

Below is a PARTICULARLY unflattering photo of me wearing said shirt in 1996, taken by a former colleague and linked to on Facebook (yet another reason to hate that site). Seriously, I've posted some terrible, terrible, NSFW things on this blog in my time, but this is definitely the most disturbing.

I'm

giving

you

space

to

click

away

now.

Don't

say

you

weren't

warned.


And yet, as much as I hate that photo, I can't help but feel a swelling in my heart and a weight behind my eyes as I look upon it now... because I'm wearing my favourite shirt.

That shirt and me, we went through so much together. As the years went by, it became my official "winter walking" shirt. I'd come home from work, change out of my work clothes, put on that shirt (over whatever T-shirt / undershirt I'd been wearing all day) then head off up into the hills. Whatever the weather. I'd wear a coat too, but even if it was just a kagool or an anorak, I wouldn't ever feel the cold. Because that shirt was THICK. It was WARM. It was like a wraparound security blanket. It was like a hug from an old friend, and during its prime, I didn't have many friends - certainly none that would be prepared to give me a hug. It made me feel comfortable. It made me feel a little less alone in this vast, cold, uncaring universe.

But nothing lasts forever. After 20 plus years, that shirt was little more than rags. I'd patched up the elbows, resewn the buttons, ironed out the creases so many times... there wasn't anything left holding it together. I'd worn it out. For the last year or so its remnants have hung in my wardrobe like a spectral tatterdemalion, unwearable but unthrow-out-able too. But there comes a time when you have to switch off the life support and say goodbye. No charity shop would have wanted it, so with heavy heart I consigned it to the wheely bin. Guilt, grief, regret... all these would follow.

Goodbye, old shirt. Thanks for the memories. Have a Haircut 100 song on me...



Monday, 10 January 2011

12.7 Thoughts About 127 Hours



1. Went to see 127 Hours on Sunday at 4pm. Should be finished by midnight on Friday. (Apologies to those of you who already had to sit through this joke on twitter.)

2. The strapline is rubbish. Every Second Counts? Not only does it remind me of a sad old Paul Daniels quiz show, but the more you think about it, the more irrelevant it is.

3. True story films are hard to get right. 12 Hours follows a similar path to Touching The Void, but it's less documentary, more dramatisation.

4. James Franco has matured as an actor since Spider-Man. That said, Harry Osborn was a thankless role. 127's hero, Aron Ralston, allows Franco much more scope. A nod from Oscar would not be unexpected... especially as this is the kind of "triumph over adversity" stuff the Academy regularly wet themselves over.

5. Is it a spoiler to mention exactly what happens to Ralston... and how he eventually escapes his dire predicament? Many of the reviews I've read have done so, and there's an argument to say that audiences are better off knowing... particularly if they're squeamish... but if you don't want to know, feel free to bugger off now. Your enjoyment of the film might be better for it.

6. So Ralston (Franco) goes canyoneering alone in the Utah desert, gets his arm trapped beneath a falling boulder and the canyon wall, has no way of calling for help, very little food or water, survives 5 days entrapment without losing his mind... then, in desperation has to cut off his arm with a dull blade to escape.

7. Ouch.

8. No, really ouch. I've seen some pretty painful things happen to characters in films, but nothing quite as shudder-inducing as this. I challenge you to keep your eyes on the screen throughout the key scene... particularly when Franco's cutting through his tendons.

9. As you'd expect, this is pure "triumph of the human spirit" stuff, well played by both Franco and Boyle. It's not a film that'll surprise you - paragraph 6 is basically the entire plot - but it will move you.

10. That said, the "people need people" subtext (Ralston's predicament is made worse by the fact that he didn't tell anyone - friends or family - where he was going that day; the movie's closing line is "next time, I'll leave a note") grates a little. But that's just my misanthropy in action.

11. Boyle directs pain- and stress-induced hallucinations very well. Though I've never been in anything like the kind of pain Ralston must have been in here, I recognise the trippy freakouts he has from when I've lost consciousness myself on occasion. The Scooby Doo hallucination isn't quite as freaky as Touching The Boid's Brown Girl In The Ring moment though.

12. Like all Danny Boyle films, you'll walk out humming the soundtrack and discover a new favourite tune. This time it'll be Never Hear Surf Music again by New York electro-indie plebs Free Blood...



12.7. Jack Bauer would have ripped his own arm off in Hour 2, then used the bloody stump to beat a terrorist to death. Just saying...


Friday, 7 January 2011

Friday Flash - Love Song


First #fridayflash short story of 2011... and I've actually managed to keep below the 1000 word limit. I'm sure that won't last...





Love Song


I’m in your bedroom, writing this song, trying not to make an obvious rhyme like ‘but I keep getting the words wrong’ because I know you wouldn’t respect that. You called me “the greatest lyricist of our generation” after all, do you remember, Evie? Of course you remember. It was the day we met. Well, the day we first communicated. The internet’s an amazing thing, isn’t it? That it could bring us together like this. How could you have known when you tweeted “I love Terry Tribeca, I want his babies!” that I’d be sitting there in my peeling wallpaper hotel room after that piss-bottle gig in Newcastle, late and lonely, just looking for someone to make me feel worthwhile... that I’d see your message and think: ‘thank you’?

You became my muse, I’m apt to confuse, the thoughts… the thoughts… the thoughts… This new album, Evie, it’s all about you. You had such a shock when I replied, you couldn’t believe it was me. Even though it had the verified tick next to my picture to prove the account was genuine, you were certain it was just my manager or somebody in my entourage mucking around. “Entourage”, ha. I guess my world seems a whole lot more glamorous from the outside. The crazy thing is, 15, 20 years ago, I probably would have had an entourage. I’d have had a record company that threw money at me, I’d have had stylists, publicists, photographers, hangers on… but those days are gone. Like I told you that first night we chatted, I don’t do this for the money. I do it because I have to. Because the songs are inside me, screaming to get out… and if I don’t have that release, well, I think I’d just go crazy, you know? Lose it completely. The songs keep me sane.

Not everything’s an accident, sometimes you have to be provident, if you want to make a start, in matters of the… The following night, when we bumped into each other at that club in Coventry, that wasn’t just coincidence, you know. I can tell you this now, we’re close enough that you won’t think... I went there to find you. I saw you talking to your friends about it on Facebook and as I didn’t have a gig that night and it was only a couple of hours on the train and I thought it’d make for a good song… Knock-Outs, remember? You said you didn’t think someone like me would be seen dead in a place like that. Didn’t I get recognised all the time? The truth is, hardly anyone ever recognises me. Your friends certainly didn’t. They didn’t even believe it was me. Yeah, I’ve been on the cover of the NME and my face is all over the internet – but everyone’s face is all over the internet. Unless you’re actually looking, you wouldn’t notice me. I’m not exactly a pretty boy, though “my unconventional look matches my unconventional lyrics,” says Alex Petridis in The Guardian. Though I guess since meeting you, my songwriting’s become a whole lot more conventional. You know I almost wrote a ‘swim any river, hike any mountain’ song last night? Maybe I’ll have a pop hit and flush my indie cred with it. That shit doesn’t matter anymore. I want to take you to Paris and Rome and New York, and not in the back of a fucking tour bus, Evie. I want my own private jet, like Bono. I never wanted to be Bono, but for you, Evie, for you I want to be Bono. I want to be whatever you want me to be.

I saw you in the arms of another, I went to pieces, then and there. I knew I wasn’t your only lover, just don’t tell me more for him you… Clumsy. That’s fucking clumsy, man. What’s happened to my writing? It used to come so natural. My mind’s on other things right now. That second time was a mistake, I admit. You were with your fiancée at that restaurant in Nuneaton. Not the classiest of establishments, but Michael wasn’t really the classiest of guys, was he? When I saw where he was taking you for your anniversary… I wanted to show you how much better you could do. That’s all. Crispy duck and a cheap Merlot? Is that really all you were to him? Caused quite a scene that night, didn’t he? Your ex… I know, I know it’s an adjustment, thinking of him in that way after all those years together, but you need to try. Part of you still expects him to walk in the front door any minute and start whinging about his shit day again. How much he hates his boss, wishes he could find something else, always wanted to be a fireman. Of course I read your blog, even though you don’t use your real name, enough of your friends know about it, leave messages on it, link to it… it’s hardly a secret. That post you wrote about me, long before we even met, that was what convinced me. You understood. And yet, by him, you were misunderstood. “Shame he’s not hunky enough to be a fireman - LOL!” That’s what Rachel wrote in your comments. She was right, of course, Michael was hardly a body builder. He couldn’t even fight me off.

You can’t have her, Mike. You’re not the man she really likes. I saw you leaving your office at night. My alibi is airtight. Mike. I know you don’t want to hear the details, Evie, but it’s done now. You don’t need to worry about him any more. We can get on with our lives. Come on, Evie, open the bathroom door. Talk to me. I’ll turn the music down if you promise not to scream again. Please, Evie, don’t be mad. Open the door. Don’t be like all the others…


Thursday, 6 January 2011

Top Ten Bastard Songs


How juvenile am I? First Top Ten of 2011, and I pick a sweary word. Maybe I thought I'd end up with a cooler list of artists (and no Barry Manilow songs) if I compiled a Top Ten Bastards. How wrong can one man be...?




10. Mötley Crüe - Bastard

Before you mock the Crüe, consider that they've sold over 80 million albums. Can that many hair metal idiots be wrong? I have more respect for them after reading Chuck Klosterman's poignant and hilarious memoir Fargo Rock City. Not a whole lot more respect, but some. At the end of the day, their drummer did marry Pamela Anderson. I suppose somebody had to.

9. The Replacements - Bastards Of Young

Unlike the Crüe, Paul Westerberg's Replacements are one of those bands everybody always claims to have been into back in the 80s when really they only actually discovered them long after they'd split up. Go on, admit it. Unless you're really cool, like Miller. In which case you probably bought their first album when you were 9 or something. (Did that sound sarcastic? It was actually meant to be a compliment. See, I can't even give my mates compliments without it sounding sarcastic. Grrr.)

Sadly, the Replacements haven't sold 80 million records.

8. Ben Folds - Bastard

Kids today gettin' old too fast
they can't wait to grow up so they can kiss some ass
They get nostalgic about the last ten years
before the last ten years have passed

Pretty soon, you'll be an old bastard too

So why you gotta act like you know when you don't know?
It's OK if you don't know everything

7. Arab Strap - Fucking Little Bastards

And you think I'm misanthropic? Imagine if I was Scottish too...

6. Half Man Half Biscuit - The Bastard Son Of Dean Friedman

If you don't know who Dean Friedman is, consider yourself deprived. He's the poodle-faced god of 70s MOR-storytelling who brought us such classics as Ariel, Lydia, 'Well, Well' Said The Rocking Chair and the divine duet (with Denise Marsa) Lucky Stars. I don't use the word 'genius' lightly etc. etc....


Who better than Nigel Blackwell and the infamous Biscuit to pay tribute to this Titan of Tunesmithery (still on tour, coming soon to a leisure centre near you)?

And you can thank your lucky stars that you're not
The bastard son of Dean Friedman.

5. Ol' Dirty Bastard feat. Kelis - Baby I Got Your Money

You have to feel bad for Mr. and Mrs. Bastard. That name was like an albatross. Whatever they chose to christen their little boy, people were always going to take the piss. I mean... Kevin? Barry? Complete? Heartless? They must have exhausted that book of baby names before coming up with Ol' Dirty. Still, at least they kept Dirty as the middle name. Presumably to avoid causing further embarrassment to his teachers when calling the register.

4. Ian Dury & The Blockheads - There Ain't Half Been Some Clever Bastards

Ian Dury was fearless in the face of rhyming couplets - he bent them to his will. This song is the perfect example of his art... especially verse 3.

Einstein can't be classed as witless.
He claimed atoms were the littlest.
When you did a bit of splitting-em-ness
Frighten everybody shitless

3. Babybird - Bastard

Another track from my 7th favourite album of last year...

You can love me if you want to
But it's best if you don't
You can believe me, you can deceive me
But it's best if you don't

You could date me, you could hate me
But it's best if you don't
We could have kids, we could grow old
But it's best if we don't

I'm untouchable, yes I am
But if you wanna touch me, you can
I'm a bastard, you know that I am
But that's just what you like in a man

Everybody knows Babybird's biggest hit was You're Gorgeous... but coincidentally, it was spoofed by Mark 'n' Lard in The Shirehorses in a track called You're A Bastard.

2. Town Bike - Bastard Heart

Coming on like a Scouse version of the Donnas, Town Bike are the kind of hard-living punk rock chicks who scare the pants off weedy wallflower indie kids like me... but in a good way. Their debut album Go! Fight! Win! was released last year and you can download their amusingly sweary break-up single Bastard Heart (along with its Kiss-cover Crazy Crazy Nights b-side) for free ('n' legal) at the link above. If you like that, why not pop over to their myspace to hear more?

1. Charlotte Hatherley - Bastardo

An all-too autobiographical-sounding tale of holiday romance has Charlotte Hatherley seduced by a Spanish lothario (played by David Walliams) only to wake the next morning to find him gone... along with her precious guitar. Although he did leave a few Euros with thanks for the memories...

(Simon Pegg also pops up in the spoof girl's comic video as a Spanish waiter.)



I know, I'm a bastard because I didn't include...?


Wednesday, 5 January 2011

The Year Of The Flood



Margaret Atwood's Oryx and Crake is one of my favourite literary / science fiction crossovers (even though Atwood herself snobbishly denies the sci fi label). It's set in a speculative future where genetic engineering has gone haywire and civilization has fallen apart as a result. It's part romance, part post-apocalyptic thriller, part distorted mirror on the world we live in today. I loved it, and was intrigued to see Atwood returning to that world for a second novel, not a sequel as such but a separate story set in the same dystopian future.

The Year Of The Flood is a different beast entirely. I suppose you have to respect Atwood for trying something else - isn't that what we always complain about with sequels, that they just retread the same ground louder and brasher? That said, this one just didn't work for me. It tells the story of two survivors: Ren, a young dancer trapped in the sex club she worked at before the "waterless flood" (lots of obvious Noah parallels floating around here); and Toby, a young woman who tends a rooftop garden and awaits the return of her religious cult friends. Though each character is well drawn and believable, Atwood doesn't seem entirely certain what to do with them. Their stories lack the narrative drive that propelled Oryx And Crake.

There's also unpleasant hints of misandry. Atwood is no stranger to stories that pitch feminist heroes against unpleasant patriarchies, though normally there's a little more balance to her work. Reading The Year Of The Flood though, I felt subtly indoctrinated that when civilization does inevitably fall, men will devolve en masse into barbarian rapists. And while that's probably likely in certain circumstances... I'm not exactly planning it myself. Rest easy, ladies. Personally, I'd be far more likely to lock myself in the house and quietly starve to death (after eating the cats), while sobbing into my pillow that the internet had gone down forever. But maybe that's just me. Fellas...?


Tuesday, 4 January 2011

New Year... New Beginning... New Blog?



I'm thinking of pulling the plug on this blog.

OK, OK, stop cheering. It's not as good as it sounds.

I recently discovered posterous, a new blogging platform that works like a dream. It combines all the best bits of blogger, tumblr, wordpress et al. with none of the annoying stuff... and best of all, it's the most user-friendly platform ever. Seriously, it took me about an hour in the week before Christmas to upload two pages of PJANG to my wordpress, pfaffing about with resizing and editing html and a site that kept crashing and not allowing me to do what I wanted.

Last week I discovered posterous, and having heard how easy it was, I decided to give it a try... by making the entirety of PJANG #1 available to read online. It took me about 15 minutes to upload all three strips and the results are... well, see for yourself.

I was so impressed that I decided I'd move my whole wordpress site across there... but then I started thinking, maybe I should move Sunset Over Slawit too. This old blog's been feeling a bit tired of late... maybe a new home is just what it needs.

I have some reservations though. I regularly receive between 100 and 150 individual hits a day (which I'm pretty pleased with... but don't ask me who all these readers are, since only about six of them ever leave a comment)... would I lose that silent majority if I moved? Would I have to start again from scratch? Does it really matter?

Then there's the question of splitting up the blog. I know there are people who only come here to read my music posts or top tens. Or my comics stuff. Or my short stories (thank you). Perhaps I should host a separate blog for each? And another just for personal nonsense. And another for ephemera? Or is it better just to keep on bundling everything together in one? Do I even still need a writing blog and an "everything else" blog anymore? Should I just bring it all together under one roof where it can live together in harmony?

I'm still puzzling this one out... though obviously your thoughts would be welcome. Whatever happens, a change is gonna come.

In the meantime, in case you haven't already, READ PJANG #1 FREE HERE. Then please tell your friends. Especially if they're the sort who think People Just Ain't No Good.


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